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anything they could possibly need i.e most of our trailer clients require 35mm polyestar, whereas features and shorts tend to remain on acetate so that they can be intercut with existing camera original neg.”
After testing out various stocks, Phelan ordered a substantial supply of both 8502 and 4502 Fuji intermediate stock before commencing work on no
fewer than 39 2k resolution interna- tional versions of Stuart Little 2 teaser trailers for Columbia Tri-Star.
Another service which many clients request is shooting an interpos- itive direct from a data format (such as DTF tape), or from a video format, allowing clients to make multiple internegatives at the lab of choice and thus saving a generation loss.
So far he has received material shot on 35mm, super 16, standard 16, super 8, standard 8mm, Mini-DV, DV Cam as well as the high end professional for- mats such as D1, Digi Beta and the ever growing interest in HD/24P.
Recent projects that have gone through the Film Department include Spiderman, Men In Black 2, The Panic Room and The Sweatbox as well as numerous shorts.
Speaking about the new facilities, Lip Sync Post’s Jon Diamond said: “This is a very exciting development for us. We have amassed a wealth of experience by assembling a top team of people including some of the best talent in London if not the world.
“I am extremely proud of our achievements so far; we have the smartest facility in town that has been purpose built to do the job.
The two cinema rooms are the newest and arguably the finest in London, especially in technical abili- ty and acoustic response.
“Our online and offline rooms are built for speed and comfort and our graphics team is second to none pro- ducing high quality work of which we are justly proud.
“We have created an environment that accommodates the very highest expectations of our clients both in cre- ative excellence and service, alongside precision technology.” ■
SYNC IN SOHO
SYNC IN SOHO
Photos: Lyp Sync’s complete post production facilities under one roof, including the Arri Laser Recorder (above right), at 123 Wardour Street in the heart of London’s Soho
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