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Festival De Cannes 2006
C annes Film Festival 2006 Blockbuster The Da Vinci Code, opened the Cannes Festival back in May of this year, but it was low budget films such as
Pedro Almodavar’s Volver, Alejandro González Inarritu’s Babel, Andrea Arnold’s Red Road, and of course the Palm d’Or winner, Ken Loach’s The Wind That Shakes The Barley, that real- ly stole the show. Teaming together to throw the party of all parties was Fujifilm, Bucks Laboratories and Joe Dunton Cameras, and here we look back at the eventful evening. ■
Photos from top l-r: Richard Pun’s farewell party in London - Bob Quinn, Mark Williams, Jackie Spadaccini, John Robinson, Richard Pun, Ellie Pun and Millie Morrow • In Cannes Simon Baxter (Fuji) and Lori Jaid (Not Jaided Prods) • Linda and Colin Ricardo (Fuji)
• Fuji prize winner Kate Kotcheff (Wizzo & Co) and Pat McEnallay (Lee Lighting) • Jackie Rowden (Lee Lighting), Steve Jaggs (Pinewood Shepperton), Steve Garner (Media Travel) and Richard Clark (Film World Freight) • Paul Brown-Constable (Graffiti Editions), Kishor Ladwa (Technicolor) and Nimal Jayasekera (Graffiti Editions) • Millie Morrow (Fuji) and Kishor Ladwa (Technicolor) • Neil Mockler • Lori Jaid (Not Jaided Prods) and Jon Wilkins (CF1) • Dave Pitwell (Bucks) and Julie Wicks (Elstree Studios) Kerrie Gant (Juno Prods) • Jamie Palmer (New Town Films) and Roger Sapsford (Bucks) • Steve Jaggs • Pat McEnallay (Lee Lighting) and Kate Kotcheff (Wizzo & Co) • Kerrie Gant (Juno Prods) and Linda Deacy
New Era New Logo
New To Fujifilm Motion Picture Team
n the 12th of July, Shigetaka Komori, President and CEO of Fuji Photo Film Co., Ltd. announced the introduction of a new corporate logo. The
original form of the existing logo was determined in 1980 and has served us for 26 years.
During that period, Fujifilm has sig- nificantly expanded its busi-
ness domain by adding a
diverse range of advanced technologies to the core
technologies nurtured through our photosensitive materials business.
The introduction of the new corporate brand logo is aimed to clearly express this transformation and expansion in business domain and our endeav- ours for continual growth as well as to further strengthen our corporate brand image.
In essence, the new logo design eliminates the red hexagon mark estab- lished in 1980 and strongly projects a symbol for FUJI- FILM, the corporate brand.
With a sharp accent design in the cen- tre of the logo, Fujifilm aims to express its commitment to advanced technologies. The dash of red express- es its determination for continuous innovation. At the same time, Fujifilm will continue to use green as its cor- porate colour, inheriting its estab- lished brand assets. ■
W e’re delighted to announce the appointment of two
new members to the motion picture team. Brought in to handle
sales for 35mm Positive film in the UK and Europe is a name many of you will know - Simon Baxter.
The other is Colin Ricardo, who joins us having worked in the Professional Stills film of Fujifilm for 11 years. Colin will be selling 16mm and 35mm Negative film to the commercials and
Goodbye Mr Pun
television dramas markets. We wish them well in their new roles. ■
Photos l-r: Simon Baxter and Colin Ricardo
B ack in May, we said goodbye and good luck to a valued
colleague and close friend, Richard Pun. Turning 65 meant no more early morn-
ings (5.30am) for Richard, but more time to spend with his wife Ellie and grandchildren George and Jack.
On behalf of the old ‘Moving Image’ team, we wish Richard the very best in his retirement. ■
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