Page 19 - Fujifilm Exposure_9 Love's Labour's Lost_ok

“Once again,” Quinn adds, “we’ve had fantastic support from industry people for the project and Fujifilm would like to thank
most sincerely the following in particular for their tremendous
help during the production of Splat:”
Dennis Fraser MBE • Roger Guertin
Paul-Anthony Viollet • Su Webb • Julian Scott Martin Sawyer • Lucie Rees • Tim Doidge PatMcEnally•HughWhittaker•MarkKnights Artem•LeeLighting•Metrocolor•OasisTV• Panavision
Photos inset top right: Marcus Dillistone on recce; main top right; Splat in goggles shot by DP Geoff Boyle; inset below right: DP Zubin Mistry with gaffer Al Martin main bottom right: DP Tony Imi BSC lights Splat war games sequence
New Super F-250 /F-250D
New Millennium • 2 New Millennium 2
The New Super F-250 type 8552/8652 Tungsten Balanced
* Exceptionally fine grain and sharpness * Significantly improved exposure latitude * Improved colour
reproduction and colour sat- uration * Improved telecine tranfer characteristics for very clean TV pictures
The New Super F-250D type 8562/8662 Daylight Balanced
* The finest-grained Motion Picture high-speed Daylight negative film currently available * Significantly improved exposure latitude * Improved colour reproduction and colour sat- uration * Improved telecine transfer characteristics