Page 29 - Fujifilm Exposure_3 Michael Winner_ok

DFUJICOLOR SUPERIA
esigned to give photographers the best- ever results from an amateur 35mm film, Superia follows in the triumphant foot- steps of Fujicolor Super G Plus which it replaces. W ith the launch of Fujicolor
Superia, this new five-strong colour print family, helps maintain the company’s reputation as the maker of the world’s finest films. Fujicolor Superia is now available to the public in the shops in 100, 200, 400, 800 ASA speeds and Reala. ■
TCAPITAL FX GOES FOR LASER SUBTITLING
he UK’s first-ever laser subtitling systems producing overlays - the traditional method of have been installed by Capital FX in their subtitling. This has led on to more modern meth- Heathrow office. Originally founded as a ods of laser subtitling which had been widely film optical house (still the largest part of available in Europe but, until now, not accessible the business), the company, specialising in in the United Kingdom.
commercials, has also moved into front end fea- This means that subtitles can now be written
ture film work, such as that for Memphis Belle.
In response to the demand from distributors like Warners, Buena Vista and Fox for foreign ver- sion titling on major releases (which before had to be undertaken in the US), Capital FX moved into
directly on to existing 35mm prints. Coupled with their telecine setup, fully computerised rostrum camera and subtitling workstation, Capital FX Heathrow office is now truly an international one- stop film subtitling centre to be proud of. ■
Photo: Memphis Belle (BFI Stills)
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UST GO SUPERSONIC
UST GO SUPERSONIC