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GUWEN  ZHOUYI  CANT O NG  QI

              who wrote a commentary to it in 1517.  Despite the prestige that it enjoyed in
              the lineages of late *neidan, scholars from the Qing period onward have often
              dismissed the Guwen Zhouyi cantong qi (or Guwen can tong qi) as spurious. This
              judgement has in part been influenced by the controversial personality of
              Yang Shen m'tJ:!  (1488- 1559; DMB 1531- 35 and IC 913-15), who claimed in 1546
              to have recovered its original manuscript in a stone casket and since then is
              often erroneously indicated as its creator.
                The Guwen cantong qi includes the whole text of the scripture except for
              a few sentences. It differs from the standard version mainly in its separation
              of the lines of four characters from those of five  characters. Moreover, the
              individual passages in the "ancient" version do not always follow  the same
              order as the standard version. This rearrangement displays a clearer pattern
              than the hardly discernible one found in the standard version. It also reveals
              much, if not of the original shape of the text, about its process of compilation:
              many passages in four- and five-character lines mirror each other, and were
              likely written at different times. The altered ordering reflects a hint given in
              1248  by *Yu Yan,  who suggested that sections of different meter should be
              isolated from each other (Zhouyi cantong qi fahui ftU £  ~ ~ ~~:f:!ll'; CT 1005,
              9.19b-21a). Textual peculiarities show that the rewriting of the text was based
              on *Chen Zhixu's recension.
                 The legendary account of the early transmission of the Guwen cantong qi
              is similar to tha t of the standard version: Wei Boyang ft 18 ~ wrote the main
              text, XU  Congshi t%~$ (Attendant Xu, whom the guwen exegetes identifY
              as XuJingxiu fi:l"1*) contributed a commentary, and Chunyu Shutong ¥¥
              T;El( ~ added a final section. To each of them is ascribed one portion of the
              "ancient text":
                 1. "Canon" ("Jingwen" ~~)() ,  in lines of four characters, deemed to be the
                  main text written by Wei Boyang
                2. "Commentary" ( Jianzhu" flt±J, in lines of five  characters, allegedly
                  contributed by XuJingxiu
                 3. "The Three Categories" ( San xianglei" = f§!liJi), attributed to Chunyu
                  Shutong
                 *Liu Yiming's exegesis of the Guwen can tong qi,  dated 1799,  is  especially
              helpful in clarifying the relation between the "Canon" and the "Commentary."
              His annotations to the "Commentary" regularly refer to the corresponding
              passages in the "Canon."
                 The only passages of Du Yicheng's work that have survived appear to be
              those quoted in *Qiu Zhao'ao's commentary of 1704.  Besides those of Qiu
              Zhao' ao and Liu Yirning, important works based on the guwen version include
              the commentary by *Peng Haogu, entitled Guwen can tong qi; Jiang Yibiao's ~
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