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55 2               THE  ENCYCLOPB DIA  OP  TAO ISM   A- L

         causing matter to revert to its " essence" (*jing), or materia prima. The main role
         in this procedure is played by the crucible (*fu), which functions as a medium
         equivalent to the inchoate state (*hundun) that precedes the formation of the
         cosmos. In that medium, under the action of fire, the ingredients of the elixir
         are transmuted, or "reverted" (huan .Q;;j:),  to their original state. Quoting Daode
         jing 2r ("Indistinct! Vague! But within it there is something. Dark! Obscure! But
         within it there is an e sence"), the commentary to the *Jiudan jing (  cripture of
         the Dao that gives birth to the cosmos (Huangdi jiuding shendan jingjue Ji *
         the Nine Elixirs) equates this purified matter with the "essence" issued from

         iL~;f$fl~~Wc; CT 885, ID.rb).
           Among a large variety of methods, two progressively became typical of
         waidan. The first consists of refining mercury (Yin) from cinnabar (Yang). The
         refined essence (jeijing mffl) is  added to sulphur (Yang) and is  then refined
         again, typically in seven or nine cycles. At each stage it becomes more Yang,
         until it incorporates the properties of Pure Yang (chunyang t.f~ ~), the state
         prior to the differentiation of the One into multiplicity. In the second method,
         described in waidan texts related the *Zhouyi cantong qi (Token for the Agree-
         ment of the Three According to the Book of Changes),  the initial ingredients
         are cinnabar (Yang) and native lead (Yin).  They are refined to produce Real
         Mercury (zhenhong ~7R), which is Original Ym, and Real Lead (zhenqian ~
         ~{f) ,  which is Original Yang, respectively. The elixir obtained through combin-
         ing the two refined essences also represents Pure Yang.

         Alchemy and cosmology.  In the traditions based on the Can tong qi, alchemy is
         primarily a figurative language used to represent the relation between the
         Dao and the cosmos, the Absolute and the relative,  Oneness and multiplic-
         ity,  and timelessness and time.  In these traditions, the emblems of correla-
         tive  cosmology- typically arranged in patterns that include Yin  and Yang,
         the Five Agents (*wuxing),  the eight trigrams and the sixty-four hexagrams
         of the *Yijing (Book of Changes),  and so forth-play two main roles.  First,
         they represent the different cosmological configurations produced by the
         propagation of Original Pneuma (*yuanqi) into the "ten thousand things."
         In this function, the emblems of correlative cosmology show how space,
         time, multiplicity, and change are related to the spacelessness, timelessness,
         non-duality, and constancy of the Dao. For instance, the Cantong qi describes
         the Five Agents-which define, in particular, the main spatial and temporal
         coordinates of the cosmos-as unfolding from the center, which contains them
         all, runs through them, and "endows them with its efficacy." In their second
         role, the emblems of correlative cosmology relate the alchemical practice to
         doctrinal principles. For instance, the trigrams of the Book of Changes are used
         to show how the alchemical process consists of extracting the precosmic Real
         Yin (zhenyin ~~ ) and Real Yang (zhenyang ~ ~) from Yang and Yin as they
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