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LIUYI  NI

               tive roles are said to be as follows: the Jade Woman of dingmao guards one's
               body; the Jade Woman of dingsi,  one's destiny; the Jade Woman of dinghai,
               one's fortune; the Jade Woman of dingyou, one's *hun soul; the Jade Woman
               of dingwei, one's *po soul; the Jade Woman of dingchou, one's spirit.
                 It was also said that because the Jade Women of the Six Ding descend into
               the human world on the zichou  (- 11., yanmao ~ gp , chensi h<'  ~, wuwei 11··;Ie,
               shenyou  $ W,  and xuhai fli: f?<:  days,  one may summon them on those days
               to inquire about one's fortune.  For this purpose the Talismans of the Jade
               Women of the Six Ding (liuding yunu fu;,\  j .. k /,(:f;'f) were created. Other Taoist
               techniques also included summoning the Great Divine Generals of the Sixjia
               (/iujia da shenjiang A ft3 *:fit! ~), the Generals of the Six Ding (liudingjiangjun
               ;\ T *I-*), and the Jade Women of the Sixjia (liujia yunu /\ Jtl£ -/;().

                                                                 MUGITANI Kunio

               III Campany 2002,  72-75;  Ngo 1976,  190-95;  Kalinowski 1989-90, 91-95;
               Kalinowski 1991, 87-88 and 384-87; Schipper and Wang 1986, 198-204

               * ganzhi


                                            liuyi ni




                                     Mud of the Six-and-One

               The Mud of the Six-and-One is  a core element of early *waidan practices.
               Several texts belonging or related to the *Taiqing corpus describe methods
               to prepare this substance, sometimes calling it  Divine Mud (shenni  :f$iit.).
               Usually obtained from seven ingredients, the mud is  used to hermetically
               seal the crucible (*fo)  and avoid dispersion of pneuma (*qi)  during the heat-
               ing of the elixir. The earliest method to compound it is found in the *jiudan
               jing (Scripture of the Nine Elixirs), where the ingredients are alum, Turkestan
               salt, lake salt, arsenolite, oyster shells, red clay, and talc; these ingredients are
               pounded, sieved, and placed in an acetic bath (Huangdi jiuding shendan jingjue
               ~* :fL~ t$ff~~~R:; CT 885, I.3h-4a). The Taiwei lingshu ziwen langgan huadan
               shenzhenshangjing jc~;H'~)OlHf~ff:fit!JL_U~ (Divine, Authentic, and
               Superior Scripture of the Elixir Effiorescence of Langgan, from the Numinous
               Writings in Purple Script of the Great Tenuity; CT 255;  trans.  Bokenkamp
               1997,331-39), the *Taiqing danjing yaojue (trans. Sivin 1968,160-68), and other
               sources describe similar methods.
                 About the meaning of the term liuyi,  the commentary to the jiudan jing
               merely says that "six and one is seven: the sages keep this secret, and therefore
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