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OV E RVIEW                        59

                The macrocosm-microcosm theory is also one of the main modes of expres-
              sion in *waidan and *neidan (see fig.  IQ). Based on the emblems of correlative
              cosmology,  the elixir represents all the temporal and spatial features of the
              cosmos. As stated in the *Zhouyi can tong qi (Token for the Agreement of the
              Three According to the Book of Changes), for instance, the 384 scruples (zhu t-~)
              that compose one symbolic pound of elixir correspond to the number of lines in
              the sixty-four hexagrams of the *Yijing. Thus the elixir incorporates the cosmos
              and all its actual and potential changes. In both waidan and neidan, macrocosmic
              time sequences are reproduced in the system of fire phasing (*huohou), while
              in waidan the spatial arrangement of instruments on the alchemical altar is
              also established according to cosmological principles (Sivin 1980, 279- 92).

                                                              Fabrizio PREGADIO
              W  Fung Yu-Ian 1952-53, 2: 7-132; Girardot 1983; Granet 1934, 342-88; Kominami
              Ichir6 1989; Lagerwey 1987C, 3-48; Needham 1956, 294-303; Schipper and Wang
              1986; Sivin 1980, 221-92; Stein R. A. 1990

              * COSMOGO  Y;  COSMOLOGY;  IN NER  DEITIES;  NUMEROLOGY;  TAOIST  VIEWS
              OF  THE  H UMAN  BODY


                                        Numerology


              In classical Chinese thought, numbers ha,[e  a meaning germane to natural
              order. As natural order is a manifestation of the Dao, numbers play a primary
              role in cosmogony and cosmology They are said to have appeared along with
              images (*xiang), before forms (*xing) and names. Heaven, Earth, and the "ten
              thousand things" (wanwu -.!ltl1) are born, move, and act through numbers
              that represent the movement and quie cence (* dong and jing) of Yin and Yang,
              i.e., their rhythm and the laws governing their transformations. Numbers ap-
              plied to cosmogonic and cosmological cycles, or to alchemical cycles, measure
              periods of evolution, maturing, and decline, and their exhaustion marks the
              end of the world. Some numbers are also significant marking points:  they
              ascribe qualities, provide meaning, and serve as  tools to correlate different
              domains-e.g., cosmos and body,  Earth and Heaven, temporal and spatial
              distribution-and make them commensurable. For instance, there are three parts
              in the human body (head, chest, and abdomen) and three heavenly bodies
              (sun, moon, and stars), just as  there are three levels in the world (Heaven,
              Earth, and the space between them); there are five  viscera (*wuzang) in the
              body and five openings in the human face, as there are five Agents (*wuxing),
              five planets, and so forth.
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