Page 54 - 2002 DT 12 issues
P. 54

Jul y                      ○  ○  ○  Jewel, continued from page 1   ○ totum, genially coaxes the line to order,
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                                                                                   unlocks the door, takes the tickets, sells
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                                            decided to camp in Death Valley. We all  ○ ○  Marta’s book and warms up the audi-
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           Desk Schedule                  ○                                       ○
                                            have dreams, but it is not everyone who  ○  ence with his droll sense of humor. The
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                                            can say that a flat tire made their dream  ○ house lights dim and we are transported
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      Mon/1     R. Kinn      R./W. Hetzler  ○  ○  ○  come true.                   ○ into a world entirely of Marta Becket’s
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      Tues/2    I. Grieco    C. Gilmore   ○  ○  Marta and Tom awoke to find they  ○ creation.
                                            had a flat. The nearest place to have it  ○  The Goodtime Cabaret, just one of
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      Wed/3     L. Vavak     M. Burk      ○  ○  repaired was Death Valley Junction.  ○  ○  Marta’s delightful cameos, depicts in
                                            While Tom was fixing the tire, Marta be-  ○  ○  dance, pantomime and singing, the
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      Thur/4    G. Sayles    B. Wolin     ○                                       ○
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                                            gan to explore the small complex of   ○
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      Fri/5     R. Zeitlin   J. Barrett   ○  ○  adobe buildings. What was that    ○ ○
                                            building? It looked suspiciously like  ○
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      Sat/6     W. Barbuck   W. Barbuck   ○                                       ○
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                                            a theater. Marta peered in. Indeed it  ○
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      Sun/7     R. Conductor B. Wolin     ○  ○  was. It had, in fact, been the recre-  ○
                                            ation room for the staff of the Pacific  ○  ○
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      Mon/8     M. Slagle    R. Kinn      ○                                       ○
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                                            Coast Borax Company. It seemed to     ○
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      Tues/9    I. Grieco    J. Barrett   ○  ○  be saying, “Take me . . . do some-  ○ ○
                                            thing with me . . . I offer you life.”  ○
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      Wed/10    M. Burk      D. Powers    ○  ○  The town manager showed them      ○  ○
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      Thur/11   G. Sayles    R. Zeitlin   ○  ○  around. The place had lain unused  ○
                                            for twenty years. The sun, pouring    ○ ○
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      Fri/12    H. Perlman   E. Schliepp  ○  ○  through a hole in the roof, lighted  ○ ○
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      Sat/13    G. Gabbert   S. Kantrud   ○  ○  ○  discarded items littering the floor. It  ○ ○
                                            would need someone with vision,       ○
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      Sun/14    M. Rosow     S. Valladio  ○  ○  someone superhuman to take on the  ○ ○
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      Mon15     M. Slagle    C. Gilmore   ○  ○  ○  task of restoring it—Marta Becket.  ○ ○
                                            She and Tom leased it for $45 per     ○ ○
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      Tues/16   E. Turkin    I. Grieco    ○  ○  month and set about restoring it.  ○ ○
      Wed/17    L. Vavak     L. Vavak     ○  ○  ○  Ballet lessons for the local chil-  ○ ○
                                            dren and income from printing jobs    ○
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      Thur/18   G. Sayles    E. Schliepp    done on a hand turned press kept      ○ ○
      Fri/19    A. Berg      R. Zeitlin     body and soul together until the      ○ ○
                                            Grand Opening night of February 10,   ○ whole gamut of human emotions—jeal-
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      Sat/20    J. Kiosondi  R. Conductor   1968. An audience of twelve adults and  ○ ousy, greed, grief and death. Two life
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      Sun/21    L. Klasse    M./L. Utah     children took their places in the theater,  ○  ○  size dolls, one a lady and the other a
                                            with its white painted walls, red cordu-  ○  soldier, are seated at cafe tables at ei-
      Mon/22    A. Berg      C. Gilmore     roy curtain, and lights fashioned from  ○ ○  ○  ther side of the stage. A waitress (Marta)
      Tue/23    J. Barrett   J. Geier       old coffee cans.                      ○ enters and serves them drinks. She re-
                                                Sometimes no one came. But the    ○ turns and sits on the soldier’s knee. The
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      Wed/24    M .Burk      D. Powers    ○  performance had (in true theater fash-  ○ soldier’s wife, played by Wilget (alias
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      Thurs/25  G. Sayles    R. Zeitlin   ○  ○  ion) to go on. So Marta put her artistic  ○ Thomas Willett) enters and drags him
                                            skills to work. The result is the striking  ○  ○  off in a fit of anger.
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      Fri/26    H. Perlman   E. Schliepp  ○  ○  interior which visitors see today. If the  ○  The next scene concerns Hugo and
                                            audience didn’t come to her, she would  ○  ○  Hector. Hugo is wealthy and greedy, but
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      Sat/27    G. Gabbert   J. Barrett   ○                                       ○
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                                            create one. It took four years of pains-  ○  no match for the intelligence of Hector,
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      Sun/28    B. Wolin     M./L. Utah   ○  ○  taking work to fashion the tableaux.  ○ who has no money. They make a deal
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                                            When you take your seat at 8:15 prompt,  ○ whereby Hugo will give Hector money
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      Mon/29    R. Kinn      J. Barrett   ○
                                            you will do so in the company of a cos-  ○ and entrust him with making more.
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      Tues/30   E. Turkin    J. Geier     ○  ○  mopolitan “audience” of kings, queens,  ○  Marta’s next character is Senorita
                                            gypsies, ladies of the night and people  Dolores Morales, who has been deserted
      Wed/31    L. Vanak     M. Burk
                                            from all over the world. Thomas Willett,  by her lover. She mixes poison, takes a
                                            Marta’s stage manager and general fac-  sip and dies.The stage goes completely ;
      Changes? Call Jim Cribbs (363-1922)
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