Page 309 - What They Did to the Kid
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What They Did to the Kid                                  297

                  “Priests are not doctors.”
                  “They said I made myself nervous.”
                  “Darling,” she said deliberately, sitting up, “you didn’t leave the
               seminary. You left the Dark Ages.”
                  I could touch this worldchild. Grace could still work through
               me. She could introduce me to the world, and I her to heaven. Oh,
               God, shut me fub duck up. Spinning, falling, rising, lying, hoping,
               begging, pretending, faking, wanting to fall into all the troubles of
               the flesh, the glories, sitting cross-legged, containing myself, want-
              ing not knowing what, everything, from her.
                  “You’re positively Gothic,” she said. “At least you’re making
              yourself up.” She rose. “We had an ex-seminarian up here to dinner
              last week. He acted like we were going to rape him. He sat there, on
              the couch, right on the edge, his knees together.” She lit a cigarette.
              “I guess he thought he ought to go out with the girls. Priests are such
              boys, such...virgins.” She smiled at me, really smiled, looking for all
              the world like everything I’d never seen. “Care for another drink?”
              she asked. I heard every apple in Eden fall.
                  I pushed my package of Southern Comfort towards her. “It’s a
              house gift.”
                  “Thanks,” she said, “wine’s my limit. Yours too. Stand up.” She
              poured the wine into our glasses. “Can you manage the stereo? I’ve
              stacked six or seven LPs. You know how to manage the stereo, don’t
              you? You lift the arm, set it on the lip of record, and make sure the
              needle rides on into the groove.”
                  “Lauren Bacall. To Have and Have Not.”
                  She kissed her finger and put her finger to my lips.
                  I dropped the record already set on her phono graph, and turned
              up the low, surging Mikis Theodorakis’ soundtrack to the movie,
              Phaedra, so popular at the Bryn Mawr theater, crashing violins,
               deliberate picking guitars, soothing, the huge crisp black-and-white
               faces of Melina Mercouri and Anthony Perkins and Raf Vallone
               playing Aristotle Onassis erasing the faces of Karg and Gunn and
               all the priests and all the sweet, sweet nuns.
                  Melina Mercouri’s deep voice, silken as cigarette smoke curling
               around grape leaves, saying over the music track to Tony Perkins,
               “Falcon of the cold north. Eagle of solitude. I give you milk and


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