Page 41 - The Life and Times of the Legendary Larry Townsend
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Jack Fritscher                                      25

                  experiences that in “reality” might be very unpleasant
                  but which have attractive erotic elements. S&M extracts
                  the erotic elements and acts them out in a reasonably
                  safe context.....The elements of drama, play, and magic
                  are essential to S&M. They are essential to us as human
                  beings, and in a world which allows fewer and fewer
                  outlets for these aspects of creativity, S&M is becoming
                  more popular—like horror movies, mountain climb-
                  ing, “Dungeons and Dragons.” But S&M also involves
                  a coming to awareness of different levels of the self, a
                  revelation, and a sharing. I mentioned the idea of magic.
                  For me, that’s the third meaning of the letters S&M:
                  sadist/masochist; slave/master; sex/magic.... I write from
                  time to time on S&M, and, I hope, help people untangle
                  their own thoughts about it. But I don’t want to be put
                  in a position of “defending” S&M, anymore than I want
                  to “defend” being gay.
                  My friend Sam Steward (1909-1993) liked to pay to kneel to
               straight sailors, cops, and Hells Angels he took to the backroom
               of his tattoo parlor. He scorned what he lamented was gay leather-
               men’s cheap imitation of real-world domination and submission.
               At his cottage in Berkeley where he loved playing the role of
               Grand Old Man, he’d ask me, “What are they up to on Folsom
               Street?” I’d tell him. He’d say, “That’s the end of everything.”
               While he liked Larry and wished his own alter-ego Phil Andros
               had written a bestseller like  The Leatherman’s Handbook, Sam
               insisted on debunking the 1970s leather scene as less authentic
               than his own underground S&M sex scenes that began as the
               Roaring 1920s crashed into the Depression that made hordes of
               hungry blue-collar trade available for hire. “Buddy, can you spare
               a dime?” Sam paid for sex. Larry paid for models.
                  In 1964, four years before he heard of Larry, Sam had pub-
              lished his essay, “The Leather Fraternity: Boys Looking for ‘Real’
              Men,” which Philadelphia Gay News reprinted in 1982. As the
              author  of  the  1953  novel,  The  Motorcyclist,  Sam  cracked  wise
              about the evolution of leather culture from the war-torn 1940s to
              the hippie 1960s which were the life and times when Larry had

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