Page 129 - EducationWorld May 2022
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row Airport in casual jeans                                               its young to thrive in other
             and shirt, while Keteki     KEEPING IN TOUCH                              birds’ nests. In more ways
             revels in the relationship   Anjali Joseph                                than one, Keteki and Ved’s
             with her new lover, she     WESTLAND                                      relationship is an inversion
             takes time to make up her   Rs.599                                        of the conventional roles
             mind about settling down                                                  associated with male and
             with him. Thus begins       Pages 232                                     female stereotypes.
             a whirlwind romance                                                          The binding force of
             between two individu-                                                     keeping in touch plays out
             als entirely unknown to                                                   in several ways. At a lit-
             each other. As a freelance   ebrations and her reunion                    eral level, it could involve
             designer and curator,    with family and friends   Expertly written       Keteki and Ved remain-
             Keteki’s work makes travel   in Guwahati, become oc-  novel that transports   ing in touch with each
             normative as does Ved’s   casions to celebrate these   the reader into myriad   other, or as Joy mama
             who is a venture capitalist.   distinctive, age-old tradi-  cultural scenarios of   (uncle) states quite simply,
             Nearing 40 now, Ved has   tions, contrasting them   north-east India and   Keteki’s mother not keep-
             been feeling the absence   with the noisy contempo-  London               ing in touch with them. At
             of familial warmth, love   raneity of the present. The                    another, it could involve
             and affection and wants to   temple of mother god-  politics, red-tapism and   keeping in touch with one’s
             settle down but Keteki (39)   dess Kamakhya endorses   moribund beliefs define   place of belonging or one’s
             is wary of commitment,   the ancient and glorious   the region’s business   home and culture. And at
             almost afraid to commit to   historical Assamese past   environment. Later, his   yet another level, it could
             a long-term relationship.   and the line of valorous   taking up residence in   refer to keeping in touch
             Spanning across Assam    kingdoms and dynasties   Guwahati while he waits   with one’s self or inner
             and London, their affair   that worshipped her.   for Keteki to make up her   being. It is this ability to
             unfolds like a performance   eteki’s travels to   mind becomes the reason   remain connected with
             across continents, with the  Kvarious north-eastern   to foreground aspects of   themselves or their abil-
             author filling in details of   cities including Jorhat,   the Assamese way of life,   ity to listen to their inner
             their lives.             Majauli and Aizawl; to   a sharp contrast to the   voices that brings Ved and
                Keeping in Touch is   the mountains for a yoga   weekend getaways, pub   Keteki together. Moreover,
             alternately fast-paced and   retreat; to villages to   culture and work which   reliving or rethinking one’s
             slow moving and trans-   establish her new busi-  characterise life in London   past, reviving old relation-
             ports the reader into the   ness venture are manifold   and Suffolk.      ships, moving on, accept-
             myriad cultural scenarios   expositions of the culture   The narrative fore-  ing change and letting go
             of North East India and   of the Seven Sister states.   grounds Keteki’s layered   — all form part and parcel
             London. There are vivid   Invigorating and keeping   persona, while Ved is like   of this theme.
             observations about the   up the demand for tradi-  a satellite compelled by   Keeping in Touch ex-
             topography of riverine   tional weaves and fabrics   unknown forces of attrac-  plores pertinent personal,
             Assam, its fertile land and   is instrumental in preserv-  tion to revolve around her.   social and political issues
             verdant fields alternating   ing the weavers’ means of   Keteki’s childhood was   of people in contempo-
             with its bustling, noisy,   livelihood.           fraught with rejection and   rary society by means of
             polluted cities teeming    Ved’s venture capital-  abuse in a dysfunctional   insinuation, understate-
             with youngsters who party   ism brings him to Assam   family; a huge trust deficit   ment, explicit discussions,
             hard and make merry with   to finance an erstwhile   consequently becomes a   irony and humour; it is
             abandon. Joseph portrays   British-owned company   part of her personality and   only rarely that protago-
             an enigmatic and fascinat-  manufacturing Everlasting   her reluctance to commit-  nists let go of themselves
             ing picture of the spiritual   Lucifer, a light bulb with   ment; the houses she has   emotionally. It is an engag-
             traditions of Assam — god-  a filament that can last   grown up in, all of them   ing, sensitively imagined
             dess worship and tantri-  for decades as the name   instrumental to the dance   and expertly written novel,
             cism, Xonkordeb vaish-   suggests. Striking work-  she and Ved have been   serenely navigating the
             navism that constitute its   ers, an accidental fire and   choreographing from the   intricacies of a multifac-
             complex and sophisticated   frustrating glitches and   time she explicitly wards   eted culture and a complex
             ethnic and cultural fabric.   superstitious beliefs at the   him off, stating that she   central protagonist.
             Keteki’s home-coming just   factory exasperate him and   gets her name from a   FATIMA RIZVI (The Book
             in time for Durga puja cel-  reveal how present-day   trickster bird that leaves         Review)

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