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the Marabar Cave incident.   vulnerability in general   just as ambiguous, disori-  episode will dispel many
         Anamika’s story heals the   and rape in particular, the   enting, and ominous as in   assumptions about the
         wounds within Adela, in   novel reprises the central   Forster’s presentation.   so-called mysticism in the
         a way, and transfers the   paradigm in Mutiny nar-  Forster had repeatedly   aum like echo. Instead,
         blame for her suffering to   ratives which present a ra-  said that his novel was in-  Trivedi’s meticulous
         the assumed superiority   cialised rhetoric of Indian   tended to be poetical, not   documentation and
         of the men — Indian and   masculine rapacity and   political, and had given the   interweaving of Forster’s
         English.                 English feminine vulner-  example of the three sec-  biography, poetics
           The final section has   ability,” she writes.   tions connoting the Indian   and manuscript drafts
         a generic title, ‘Issues   In the next essay,    seasons of cold, hot and   of Passage leads to a
         and Comparisons’, but    Ipshita Chanda, while   rainy weather. Even the   startling conclusion.
         the essays are a stimulat-  acknowledging previous   indeterminacy of the inci-  “It may be reasonable
         ing reworking of several   critical studies about via-  dents in the Marabar Cave   then to surmise that it was
         well-known themes. Gaura   bility of ‘friendship’ across   bear witness to his poetic   Forster himself who was
         Narayan centre-stages the   racial barriers and implicit   efforts, he maintained.   distracted at the caves and
         Uprising of 1857 to de-  animosity that marked      Harish Trivedi contests   afflicted by sexual fanta-
         velop an intricate essay on   the colonial encounter,   all of this while being   sies which he projected on
         race relations. Her equa-  offers an unexpected and   respectful of Forster’s   to Adela, even when this
         tions may be questioned   insightful comparison   intention. He carefully   was not consistent with
         but nonetheless open into   of Forster’s ‘cave’ and   marks the actuality of the   her character as developed
         a valuable discourse on   Rabindranath Tagore’s   novelist being embedded   by him right up to this
         the interconnectedness   ‘cave’ episode depicted in   in political events of his   point in the novel”. With
         between story and history,   Chaturanga. In Tagore’s   time, and being connected   that surmise in mind,
         as in her summation, “In   novel, the sequence is nar-  with people who carried   everyone should read this
         choosing heterosexual    rated as a diary entry and   the imperial bias.   essay.
         desire in its most violent   not a direct experience;   Trivedi’s close reading   MALASHRI LAL (The
         aspect of gender-based   however, Tagore’s cave is   of the Marabar Cave            Book Review)











































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