Page 8 - FINAL_Aurora Orchestra_Inside Beethoven Coverage Book
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Conducted by Aurora’s co-founder and Principal Conductor Nicholas Collon, the Printworks
               event will see the orchestra perform in configurations not usually seen in traditional
               concerts – whether ‘exploded’ across the vast floor of the former Press Halls, moving in
               procession, performing in darkness, or mixing up the usual grouping of players into
               instrumental sections. Audience members will be able to get close-up to individual players
               as they perform Beethoven’s seventh symphony from memory, without the usual physical
               barriers of music stands between performers and listeners. Aurora also performs the same
               symphony at Southbank Centre’s Queen Elizabeth Hall on 4
               November alongside Mendelssohn’s Violin Concerto with soloist Nicola Benedetti.

               As Resident Orchestra of London’s Kings Place, Aurora presents three concerts at the venue
               this autumn. On 25 September the orchestra welcomes countertenor Iestyn Davies and
               Ondes Martenot player Cynthia Miller for a programme which sparks a dialogue across
               four centuries of music and ideas as part of Kings Place’s London Unwrapped series. On 27
               November, Mercury Award-nominated and Ivors Academy Award-winning composer,
               arranger and saxophonist Cassie Kinoshi joins the orchestra with members of her SEED
               Ensemble to perform the premiere of her new work celebrating the Caribbean and West
               African folklore of her heritage. Bringing 2021 to a glittering close, Aurora hosts a New Year’s
               Eve concert marking the culmination of an ambitious six-year journey through all of
               Mozart’s piano concertos – the first such complete cycle ever presented within the span of
               a single series in the UK. For this final concert in the series Aurora is joined by Spanish
               virtuoso Javier Perianes to perform Mozart’s Piano Concerto No. 27 in B flat major
               alongside Handel’s Water Music, conducted by Nicholas Collon in the beautifully intimate
               surroundings of Hall One at Kings Place.

               Aurora has appeared at the BBC Proms every year since 2010, including presenting
               pioneering memorised performances of symphonies by Mozart, Shostakovich, Berlioz and
               Beethoven. Tomorrow (Wednesday 11 August) the orchestra returns to the Royal Albert
               Hall with Nicholas Collon to give a performance by heart of Stravinsky’s Firebird Suite(1945
               version) prefaced by a musically-illustrated introduction co-hosted by Collon and BBC Radio
               3’s Tom Service. The concert will also feature Rachmaninov’s virtuosic Rhapsody on a Theme
               of Paganini, with former BBC Radio 3 New Generation Artist Pavel Kolesnikov as
               soloist. The live performances at the Royal Albert Hall will be broadcast on BBC Radio 3, BBC
               TV and iPlayer.

               Aurora’s autumn performances mark a return to symphonic-scale live performance for the
               ensemble and build on the work the orchestra has done throughout the pandemic to
               continuing connecting with audiences, including through its digital activity which has seen
               the orchestra reach over a million viewers through its online series Aurora Play.

               John Harte, Chief Executive of Aurora Orchestra, said: “One of the most exciting aspects of
               performing from memory is the way it heightens our sense of communication, not just between
               players and conductor but also between performers and audience. The awe-inspiring Press Halls
               at Printworks will give us a very special opportunity to take that sense of communion with an
               audience even further, bringing listeners right inside the orchestra and offering a chance to
               experience a symphony from within.”
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