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birth sign. Both feature in an appropriately Catalan-themed programme marking the
               composer’s 125th anniversary.

               Bournemouth Symphony Orchestra


               Lighthouse, Poole, 1 December


               Ryan Wigglesworth is both soloist and conductor, as Mozart’s sunny A major Piano
               Concerto K414 prefaces a work Dvořák characterised as about ‘Love, God and my
               fatherland’, his D minor Symphony No. 7. There’s more ‘fatherland’ at the outset:
               Janáček’s bucolic Lachian Dances.


               Sinfonia Cymru


               Riverfront, Newport, 1 December

               The orchestra slims down to chamber forces and summons its winds for a lunchtime
               concert, crowning works by Rossini, Mendelssohn and Koechlin with a quartet by
               Rossini’s near-contemporary Vincenzo Gambaro.

               Echo Vocal Ensemble


               Priory, Lancaster, 2 December


               The natural world and climate change are exercising Echo Vocal Ensemble in a line-
               up stretching from 12th-century Hildegard of Bingen to brand new pieces by Lillie
               Harris and Rory Wainwright Johnston. Along the way they encounter works by
               Clemens non Papa, Schütz, Palestrina, Britten and Judith Weir.


               BBC Scottish Symphony Orchestra


               City Halls, Glasgow, 2 December

               It’s quite Tchaikovsky’s month for the BBC SSO, what with the Piano Concerto No. 1
               on 9 December and his Symphony No. 6 here. But associate conductor Alpesh
               Chauhan has less familiar fare up his sleeve to introduce Tchaikovsky’s Sixth:
               Schoenberg’s Chamber Symphony No. 2, over 30 years in the making, and,
               performed by mezzo-soprano Karen Cargill, the 23-year-old Korngold’s
               elegiac Abschiedslieder.


               City of Birmingham Symphony Orchestra
               Percussion Ensemble


               CBSO Centre, Birmingham, 3 December


               Teamed with students from the Birmingham Conservatory, two members of the
               orchestra head up a conspectus of contemporary percussion music starting
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