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a14   people & arts
             Wednesday 7 september 2022
            Farrell and Gleeson reunite with Martin McDonagh in Venice




            By LINDSEY BAHR                                                                                                     shot  mostly  in  Inishmore,
            AP Film Writer                                                                                                      where his father was from.
            VENICE, Italy (AP) — Martin                                                                                         And  before  production
            McDonagh  has  returned                                                                                             started,  they  had  several
            to the Venice International                                                                                         weeks of rehearsals in Gal-
            Film Festival with “The Ban-                                                                                        way.  Farrell  said  it  “felt  so
            shees of Inisherin,” which is                                                                                       beautiful to be back where
            having  its  world  premiere                                                                                        Martin’s  plays  had  been
            Monday  night  in  competi-                                                                                         performed.”
            tion.                                                                                                               Venice  is  a  bit  of  a  good
            It’s his first film since “Three                                                                                    luck charm for McDonagh,
            Billboards  Outside  Ebbing,                                                                                        who  in  2017  received  the
            Missouri,”  and  a  reunion                                                                                         festival’s  top  screenwriting
            with  his  “In  Bruges”  stars                                                                                      prize  for  “Three  Billboards
            Colin  Farrell  and  Brendan   This image released by Searchlight Pictures shows Colin Farrell, left, and Brendan Gleeson in “The   Outside  Ebbing,  Missouri,”
            Gleeson.                     Banshees of Inisherin.”                                                                which would go on to be a
            Farrell on Monday said that                                                                        Associated Press   box  office  smash,  get  him
            he  and  McDonagh  have  he  designs.”The  film  is  set  festation of a little donkey.”  examined   male   friend-  a best picture and screen-
            talked  about  working  to-  in 1923 on a remote island  Kerry Condon plays Padra-     ship in a different way. But,  play nomination at the Os-
            gether  again,  and  they  off  Ireland’s  west  coast.  ic’s sister Siobhan and Barry  he  said,  despite  the  time  cars  and  win  two  acting
            have  a  “mature  agree-     It  tells  a  story  about  long-  Keoghan  is  the  tormented  that it’s set in, it is a “mod-  Oscars  for  Frances  McDor-
            ment” where they’ll accept  time  friends  Padraic  (Far-  young Dominic, who try to  ern film” in how it presents  mand and Sam Rockwell.
            if  the  other  wants  to  pass.  rell)  and  Colm  (Gleeson)  help Padraic mend things.  these two friends.        “The Banshees of Inisherin”
            And  yet,  Farrell  said,  he  at a fraught moment when  “He  has  an  innocence  “The  way  the  idea  that  is competing for the Golden
            also  can’t  imagine  “ever  Colm  suddenly  decides  to  where  he  can’t  compre-    these  men  would  talk  to  Lion and other top awards
            passing  on  anything  (Mc-  end  the  relationship.  He’s  hend  why  his  friend  of  so  each other in a natural way  this  year,  against  films  like
            Donagh)  writes  because  decided  that  Padraic  is  many  years  has  cut  him  about feelings is debatable  Todd  Field’s  “TÁR”  and
            he’s such an extraordinary  dull, and Padraic, in turn, is  out,” Farrell said. “It shakes  if it would transpire at that  Darren  Aronofsky’s  “The
            writer  and  I’m  always  so  shattered.                  him  to  his  core  ...  He  lives  point,” Gleeson said.  Whale,”  before  it  opens  in
            deeply  moved  emotion-      “It’s  hard  to  ghost  some-  in a beautiful life and that  The  film  also  marks  Mc-  theaters on Oct. 21.
            ally  and  psychologically  one  on  an  island,”  Farrell  beauty  is  taken  away  by  Donagh’s first production in  The  79th  edition  of  the
            by  the  worlds  he  creates  laughed. His character, he  Brendan’s Colm.”             Ireland, which he said was  Venice  Film  Festival  runs
            and  the  characters  that  said,  is  the  “human  mani-  Gleeson liked how the film  “a  dream  of  mine.”  They  through Sept. 10.q


              Reimagining the fate of a doomed Renaissance duchess




                                                             ter of a real girl in Renaissance Italy.       ning with the day she comes to believe she will
                                                             In  her  first  novel  since  the  lovely  “Hamnet,”  be murdered, and diving all the way back to
                                                             which  won  a  National  Book  Critics  Circle  her conception. And although we are told her
                                                             Award and other prizes, O’Farrell again reach-  fate from the start, we come to believe that
                                                             es back to the 16th century to imagine the in-  this teenager is a match for the evil simmering
                                                             ner life of a figure about whom the historical  in  the  palace  courts  around  her.  Observant
                                                             record is thin but intriguing.                 and compassionate, Lucrezia is an outsider in
                                                             In “Hamnet,” that was Anne Hathaway, Shake-    that world.
                                                             speare’s  wife.  Here,  it’s  Lucrezia  de’  Medici,  She finds some freedom in nature and art. But
                                                             who  died  under  suspicious  circumstances  in  although she is a gifted artist, nobody consid-
                                                             1561 at just 16 years old. Although the official  ers any future for her other than as a powerful
                                                             cause of death was illness, it was rumored that  man’s wife.
                                                             her husband of less than a year, Alfonso, Duke  O’Farrell  has  cited  Robert  Browning’s  poem,
                                                             of Ferrara, killed her.                        “My  Last  Duchess,”  as  inspiring  her  interest
                                                             That murkiness gives O’Farrell plenty of room to  in  this  Renaissance  story.  The  poem  paints  a
                                                             look for skips in the historical record and build  creepy  picture  of  Alfonso  showing  a  strang-
                                                             Hitchcockian suspense.                         er  a  portrait  of  his  deceased  wife,  which  he
                                                             The  Renaissance  palazzos  and  castellos  por-  keeps behind a curtain so only he can look at
                                                             trayed here have gorgeous, sunlit exteriors but  it. O’Farrell found a real portrait of Lucrezia in
                                                             dark, thick-walled interiors. Norm-shattering art  a Florence gallery, and it radiated intelligence
                                                             and commerce coexist with rigid social hierar-  and mystery. The novel dwells on a technique
                                                             chies and superstition.                        popular in the Renaissance called “overpaint-
              This  cover  image  released  by  Knopf  shows  “The   Lucrezia was part of the most powerful family  ing,”  in  which  you  apply  the  final  layers  of
              Marriage Portrait” by Maggie O’Farrell.        in Florence, the Medicis. Being a girl, she lived  paint on top of an existing image, either cov-
                                            Associated Press
                                                             a confined existence, unable to venture much  ering it or allowing the old and new images to
              By JULIA RUBIN                                 beyond her rooms. (The dim, dull life inside the  merge. Lucrezia frequently uses this practice,
              Associated Press                               palazzo  contrasts  with  the  glare  of  the  lively  just as she learns to hide her true self beneath
              Stories  of  high-born  girls  confined  to  castles,  square outside; an offhand description is given  a formal, superficial surface.
              forced to marry young, and pressured to have  of a statue the Medicis have put outside their  Likewise, O’Farrell has taken a historical foot-
              sons  on  pain  of  death  are  the  stuff  of  dark  door – it’s only Michelangelo’s “David.”)  note – the death of a 16-year-old duchess –
              fantasy  these  days  on  HBO.  Novelist  Maggie  Things slowly become even more claustropho-  and overlaid it with strokes of bravery, cruelty,
              O’Farrell comes at that scenario in a different,  bic after Lucrezia is married off against her will.  love,  loyalty  and  more  to  paint  a  different
              more psychological way, through the charac-    The novel jumps back and forth in time, begin-  picture.q
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