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            Aruba’s cultural and literary development: Then and now




            (Oranjestad)—The  Aruban  duction  of  the  Lago  Refin-
            culture has seen many sub-   ery  in  San  Nicolas  in  1928,
            stantial developments over  that the island saw a small
            the  course  of  a  century.  boom  in  cultural  manifes-
            With the introduction of the  tations and entertainment,
            Lago Refinery at the turn of  as farmers left the ‘cunucu’
            the  20th  century,  followed  (country) life to work in the
            by the breakout of the Sec-  refinery,  which  resulted  in
            ond  World  War  and  the  Aruba acquiring a different
            general incentive for politi-  economic pilar. Before this,
            cal  independence  during  entertainment and cultural
            the mid-century, a cultural  manifestations were mostly
            identity  on  the  island  be-  experienced  by  local  par-
            gan to take form and have  ishes and the island’s elite,
            since  developed  through  who  often  partook  in  cul-
            international  and  local  in-  tural  and  entertaining  ac-
            fluences.                    tivities  around  the  island,
                                         like going to the movie the-
            In  the  pre-industrial  era  of  ater or coming together to
            the  19th  century,  much  share  poetry  on  Sundays
            could not be said about a  after church.
            cultural  identity  on  the  is-                          The  1950  brought  with  it  a  cast  station  Tele-Aruba  in  are exclusive to the Aruban
            land. Still being a part of a  Literary life              boom  of  literary  produc-  1963,  and  with  time  and  culture,  often  manifesting
            Dutch  colonial  territory  at  Throughout  the  19th  cen-  tion on the island, like those  possibilities, local programs  during  traditional  celebra-
            the time, as well as not hav-  tury and up until the 1940s,  of  V.S.  Piternella,  as  well  such  as  “Nos  Tera”’  (“Our  tions, like Dia di San Juan/
            ing  political  or  economic  there  were  also  not  much  as  migrant  authors  José  Land”) started to pay more  Dera  Gai  (St.  John’s  Day),
            autonomy  (Curacao  was  trace  of  a  cultural  climate  Ramón Vicioso y Rings Wil-   attention  to  the  Aruban  Dia  di  Himno  y  Bandera
            the  center  of  commerce,  for the cultural-literary sec-  liam  Rufus,  who  have  also  culture and worked to form  (National  Hymn  and  Flag
            cultural  life,  and  politi-  tor  on  the  island.  Primary  contributed  to  the  literary  a  cultural  consciousness  Day), Camping during Eas-
            cal  management  of  the  education  was  introduced  development on the island.  within  the  community.  The  ter  and  much  more.  With
            Netherland  Antilles  at  the  on  the  island  in  the  mid-  The literary movement was  1960s also saw the rise of lo-  the  surge  of  social  media
            time), the small population  19th  century,  followed  by  further  promoted  by  local  cal authors and artists, who  in  the  last  decade,  artistic
            of  Aruba  consisted  mostly  secondary and higher edu-   broadcasters Voz di Aruba  were  more  comfortable  in  voices,  especially  those  of
            of  farmers  and  fishermen,  cation around the late 30’s  and  Radio  Kelkboom,  with  producing works in our na-  the  younger  generation,
            tending  to  their  crops  and  and 40’s. It wasn’t until the  their  regular  broadcast  of  tive  tongue,  Papiamento,  has  become  even  more
            their  cattle,  or  going  out  1950s, with the introduction  literary works.          but  who  also  produced  prevalent  and  easily  ac-
            to  fish  to  provide  for  their  of  the  E.R.N.A  agreement                         works  in  Spanish,  English  cessible  to  the  community
            family.  As  Quito  Nicolaas  in  1951  and  the  signing  of  The  50s  and  60s  also  saw  and  Dutch.  This  new  phe-  of  Aruba  through  online
            states  in  his  article  Historia  the  Statute  in  1954,  which  the  influence  of  interna-  nomenon  was  in  response  platforms  such  as  Face-
            di  Literatura  Arubiano:  E  allowed  more  space  for  tional  cultures,  especially  to the interaction between  book, Instagram and TikTok.
            Bida  Cultural  (Literary  His-  and  control  over  the  eco-  that  of  the  United  States.  economic  growth,  individ-
            tory of Aruba: Cultural Life),  nomic  and  cultural  devel-  During  this  time,  because  ual  prosperity,  cultural  life  Source: Historia di Literatura
            “during  the  pre-industrial  opment of Aruba, that the  of  international  influences  and literary expression.    Arubiano:  E  Bida  Cultural
            period,  there  were  no  sig-  literary life on the island be-  as  well  as  the  continued                       by J.R. “Quito” Nicolaas
            nificant  economic  activity  gan  to  grow  substantially  prosperity of the oil refinery,  The 21st century
            that  could  have  created  compared to decades be-       cultural  traditions  in  Aruba  Nowadays, international in-
            a  cultural  ambience,  with  fore.  This  was  in  response  began  to  really  take  form  fluence on our culture is still
            only  one  way  to  generate  to  local  institutions  estab-  and  become  widespread,  prevalent, especially those
            profit at the time for the sub  lished  in  the  1940s  for  cul-  as different worldly and lo-  from  Latin  America,  the
            existence  of  Aruban  fami-  tural  and  literary  growth  cal  concepts  were  intro-  United States and The Neth-
            lies.”                       on  the  island,  but  that  did  duced in the Aruban soci-  erlands. Nevertheless, there
                                         not yet capture the atten-   ety. With the establishment  also exists a strong cultural
            It  wasn’t  until  the  intro-  tion  of  the  general  public.  of  local  television  broad-  identity  and  traditions  that
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