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A14   PEOPLE & ARTS
                    Wednesday 6 July 2022
            Review: In ‘Fire of Love,’ the mysterious alchemy of romance




            By JAKE COYLE                lion  questions.  Maurice,  a
            AP Film Writer               gregarious  geologist,  and
            Rarely have the conditions  Katia,  a  more  reserved
            for  love  been  less  hospi-  geochemist,  were  brought
            table  than  in  Sara  Dosa's  together by their mutual in-
            documentary "Fire of Love."  fatuation for volcanoes. Af-
            Yet here, amid shifting tec-  ter marrying, they decided
            tonics and quaking craters,  not  to  have  children  and
            French volcanologists Katia  instead  dedicated  them-
            and Maurice Krafft forge a  selves to being, as Maurice
            strangely  rock-steady  ro-  terms  it,  "volcano  runners."
            mance.  "Fire  of  Love,"  ex-  They travel from active vol-
            cavates  their  unique  story,  cano  to  active  volcano,
            and the jaw-dropping foot-   living  according  to  the
            age the Kraffts left behind,  Earth's  rhythms.  With  a  wry
            in a film exploding with awe  smile, they confess many of
            for  the  mysterious  alche-  their colleagues view them
            mies of love and obsession.  as  weirdos.  "If  I  could  eat
            The Kraffts were prominent  rocks, I'd stay on the volca-  This image released by National Geographic shows Katia Krafft wearing an aluminized suit as she
            scientists  in  the  '70s  and  no and never come down,"   stands near lava burst at Krafla Volcano, Iceland, in a scene from the documentary "Fire of Love."
            '80s  whose  passion  and  Maurice  says  proudly  in                                                                           Associated Press
            occasional  red  knit  hats  one TV interview.            fiction film or something left  "Fire of Love" is principally a  intoxicated  by  forces  far
            made  them  a  bit  like  the  Dosa uses July's narration to  over from the henchmen of  love story, the chemistry we  larger than they are. Katia
            Cousteaus  of  the  volcano  frame the Kraffts' story with  a  Bond  villain.  But  with  riv-  see between them isn't the  and Maurice are, she says,
            world.  Like  that  underwa-  a  playful  sense  of  wonder  ers  of  red  all  around,  they  sort that makes you swoon.  "like  flies  in  a  saucepan
            ter explorer, the Kraffts also  and whimsy — a sometimes  are  almost  at  play  —  wild  It's easy to wonder if what  that's boiling over." And it's
            picked  up  filmmaking  to  overly  intrusive,  too  neatly  silhouettes dancing on the  binds  them  together  isn't  their  contagious  sense  of
            chronicle  their  investiga-  packaged device in a film  precipice. When set to Bri-   so  much  love  as  mutual  awe  for  nature  that  keeps
            tions  —  which  often  drew  where  what's  on  screen  is  an Eno's beguiling "The Big  obsession.  They  both  burn  the flames of "Fire of Love"
            them,  like  moths  to  the  so  overwhelmingly  power-   Ship," the imagery isn't hell-  with  a  red-hot  desire  less  smoldering.
            flame,  perilously  close  to  ful  that  it  might  not  need  ish but heavenly.      for  each  other  than  to  be  "Fire  of  Love,"  a  Neon  re-
            not-at-all-dormant  volca-   the extra layer.             On  one  volcano,  Maurice  as close to the volcano as  lease,  is  rated  PG  by  the
            noes.  They  died  in  1991  in  Again  and  again,  we  fries  an  egg  on  the  hot  possible.  Are  they  chasing  Motion  Picture  Association
            a  cascading  gray  cloud  see  the  couple  traversing  ground.  On  another,  he  life, or death? Maurice calls  of  America  for  thematic
            on  Japan's  Mount  Unzen,  charred  alien  landscapes  paddles  an  inflatable  raft  it "a kamikaze existence."   material  including  some
            leaving  behind  hundreds  with  geysers  of  spewing  over  a  steaming  lake  of  But  what's  unknowable  is  unsettling images, and brief
            of  hours  of  footage,  and  lava.  Their  protective  out-  acid.  Katia  objects  to  that  also  at  the  heart  of  "Fire  smoking.  Running  time:  93
            as  narrator  Miranda  July  fits are a little nutty, too, like  gambit  but  they  are  reso-  of  Love,"  a  movie  about  minutes.  Three  stars  out  of
            says early in the film, a mil-  props from an old science-  lutely  inseparable.  Still,  if  two  people  not  afraid  but  four.q


            Review: An Irish hitman juggles murder with parenthood



            By BRUCE DESILVA                                                                                chopath, he discovers an infant in O'Neil's filthy
            Associated Press                                                                                drug  den,  can't  bear  to  leave  it  there,  and
            Patrick Callen, a Dublin, Ireland hitman with a                                                 takes it with him.
            mild  case  of  obsessive-compulsive  disorder,                                                 Suddenly,  the  antihero  of  "The  Lemon  Man"  is
            stays organized by making lists. On his first day                                               struggling to change diapers and trying to fig-
            in Keith Bruton's debut novel, the list includes:                                               ure out what toddlers eat. But he's also got a
            — Buy Food                                                                                      job  to  do.  There  are  people  who  need  killing
            — Sleep With Olivia                                                                             and others willing to pay to have it done. So he
            — Visit Ma                                                                                      finds himself taking the baby along on the job
            — Kill Henry O'Neil                                                                             or leaving him in the care of his equally flum-
            Patrick,  who  navigates  Dublin's  streets  on  his                                            moxed girlfriend, Olivia, whose work as a prosti-
            1950s Modello Oro bicycle, was pedaling home                                                    tute doesn't bother Patrick in the least.
            from the market when he stopped off to deal                                                     Caring for an infant while working as a hired kill-
            with O'Neil, a drug runner and junkie who owed                                                  er is not a good mix, and the inevitable compli-
            his  supplier  more  than  he  could  pay.  Worried                                             cations soon threaten to get Patrick and Olivia
            that  someone  might  "nick"  his  bag  of  lemons,                                             killed. The result is a fast-paced crime novel that
            Patrick  slipped  it  off  the  handlebars  and  took                                           is both hilarious and hardboiled, its main char-
            it with him to do the hit. From then on, he was                                                 acter both ruthless and oddly sympathetic.
            known as The Lemon Man.                                                                         "I don't care what you think," Patrick says. "I take
            The  details  of  the  O'Neil  hit  precisely  convey                                           care of (i.e. kill) people when they don't obey
            Patrick's attitude about his chosen profession.                                                 the rules. The rules of the street."
            "I  reach  back  into  my  shorts  and  pull  out  the                                          Bruton's tight, colorful prose captures the idio-
            gun, shooting little Henry O'Neil dead center in                                                syncrasies  of  Irish  English  without  ever  leaving
            the forehead, bulls-eye. He falls back into the                                                 American  readers  behind,  every  unfamiliar
            chair with a bullet in his head. I touch my top                                                 word clear in contest. And his hard-eyed por-
            lip with the top of my tongue. My moustache                                                     trayal of Dublin street life is so vivid readers can
            is getting long... I scratch my head with the si-  This cover image released by Brash Books shows "The   smell the streets and feel the cold rain on their
            lencer. It's warm."                             Lemon Man" by Keith Bruton.                     faces.q
            But just when you're sure that Patrick is a psy-                               Associated Press
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