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                                                                                     PEOPLE & ARTS Thursday 23 January 2020
            Everyone invited: `Great Gatsby’ copyright to end in 2021



            By HILLEL ITALIE                                                                                                    sual,”  and  was  struck  by
            Associated Press                                                                                                    his sense of detail, whether
            NEW  YORK  (AP)  —  For  de-                                                                                        describing  cars,  emotions
            cades,  Jay  Gatsby,  Daisy                                                                                         or economic status.
            Buchanan and other char-                                                                                            “Not only are the hues spe-
            acters  from  “The  Great                                                                                           cific,  (blue,  yellow,  laven-
            Gatsby” have been as real                                                                                           der),  but  what  deeply  in-
            to  millions  of  readers  as                                                                                       trigues  me  is  how  specific
            people  in  their  own  lives,                                                                                      color saturation is to mood
            exemplars  and  victims  of                                                                                         and class hierarchy. For ex-
            the  American  pursuit  of                                                                                          ample,  at  the  Buchanans,
            wealth and status.                                                                                                  people  are  wearing  white
            Starting  next  January,  F.                                                                                        and  the  colors  (greens,
            Scott  Fitzgerald’s  classic                                                                                        reds,  peaches),  have  a
            Jazz  Age  tale  will  truly  be-                                                                                   very  delicate  and  ‘pretty’
            long to everyone.                                                                                                   feel,”  she  wrote,  adding
            The  novel’s  copyright  is                                                                                         that  her  illustrations  also
            set to expire at the end of                                                                                         were influenced by car ad-
            2020,  meaning  that  any-                                                                                          vertisements from the ’20s.
            one will be allowed to pub-                                                                                         “To  me,  this  theme  is  cen-
            lish the book, adapt it to a                                                                                        tral  to  the  story  because
            movie, make it into an op-                                                                                          within American car culture
            era  or  stage  a  Broadway                                                                                         is the notion, or fantasy, of
            musical. No longer will you                                                                                         mobility. In other words, the
            need to permission to write                                                                                         idea that we have the free-
            a sequel, a prequel, a Jay   This combination of cover images released by Scribner shows the 2018 cover image of the novel   dom to physically move to
            Gatsby  detective  novel  or   "The Great Gatsby" by F. Scott Fitzgerald, left, and "The Great Gatsby: The Graphic Novel," with   another  place  and  leave
            a  Gatsby  narrative  popu-  illustrations by Aya Morton and adapted text by Fred Fordham.                          behind the old problems or
            lated with Zombies.                                                                                Associated Press  even the old person.”
            “We’re just very grateful to                                                                                        Fitzgerald’s novel has been
            have  had  it  under  copy-  in  1940,  fewer  than  25,000  issued  the  book  with  a  so-  tion,  because  every  time  used in other art forms. It’s
            right, not just for the rather  copies  of  the  book  had  called  authoritative  text,  a  reader  returns  to  ‘The  at  the  heart  of  “Gatz,”  an
            obvious benefits, but to try  sold. Now, worldwide sales  making    minor   changes  Great  Gatsby,’  we  discov-   eight-hour stage show from
            and  safeguard  the  text,  are  nearing  30  million  and  based  on  Fitzgerald’s  own  er new revelations, new in-  2010  in  which  the  entire
            to  guide  certain  projects  more  than  500,000  copies  notes. The introduction was  sights,  new  burning  bits  of  book is read. Several movie
            and  try  to  avoid  unfor-  sell  each  year  in  the  U.S.  provided  by  Scribner  au-  language.”               versions  have  come  out,
            tunate  ones,”  says  Blake  alone,  according  to  Scrib-  thor  Jesmyn  Ward,  a  two-  Hazard  was  closely  in-  from  a  silent  film  released
            Hazard,  the  late  author’s  ner.                        time  National  Book  Award  volved  with  the  graphic  not  long  after  “Gatsby”
            great-granddaughter  and  Publishers  specializing  in  winner  who  wrote  of  how  novel,  which  features  il-   was  published  to  direc-
            a  trustee  of  his  literary  es-  older works already are pre-  she,  an  African  American  lustrations  by  Aya  Morton  tor  Baz  Luhrmann’s  high-
            tate.  “We’re  now  looking  paring  their  own  editions.  from rural Mississippi, could  and  an  adaptation  of  the  energy production in 2013,
            to a new period and trying  The  Library  of  America  will  relate  to  Fitzgerald’s  saga  text by Fred Fordham, who  starring Leonardo DiCaprio
            to  view  it  with  enthusiasm,  include the novel next year  set in Long Island, New York.  worked  on  the  graphic  as Gatsby. Hazard said she
            knowing    some    exciting  in  a  planned  hardcover  “Hungry as I was to escape  novel of “To Kill a Mocking-    enjoyed the Luhrmann film
            things may come.”            volume, edited by West, of  my  own  little  nowhere  bird.”  Hazard  researched  and a 1973 version starring
            “I  wish  it  were  possible  for  Fitzgerald’s work. The Every-  country  town,  my  own  various  illustrators  before  Robert Redford, and imag-
            the Fitzgerald Trust to retain  man Library, which for years  poor beginnings, as a teen  coming  upon  “His  Dream  ines  other  ways  the  story
            copyright,”  says  Fitzgerald  has  published  the  novel  in  I  could  only  see  Gatsby’s  of the Skyland,” a graphic  can  be  adapted  to  the
            scholar  James  L.  W.  West  the United Kingdom, will re-  yearning.  I  was  too  young  novel  set  in  Hong  Kong  in  screen.
            III,  a  professor  emeritus  at  lease  a  hardcover  edition  to know his wanting is wast-  the 1920s that features Mor-  “I  would  love  to  see  an
            Pennsylvania  State  Univer-  in the U.S.                 ed  from  the  moment  he  ton’s  drawings  and  words  inclusive   adaptation    of
            sity. “They have been won-   As with such current public  feels  it,”  Ward  writes.  “The  by Ann Opotowsky.       ‘Gatsby,’  with  a  diverse
            derful caretakers of Fitzger-  domain titles as “Pride and  seasoned  heart  aches  for  Morton told the AP in a re-  cast,”  she  says.  “Though
            ald’s  literary  rights  and  his  Prejudice,”  “The  Scarlet  James Gatz, the perpetual  cent  email  that  she  had  the  story  is  set  in  a  very
            reputation.  But  under  our  Letter”and  “Great  Expec-  child,  the  arrested  roman-  long admired 1920s fashion  specific time and place, it
            laws all literary works even-  tations,” cheap paperback  tic,  bound  by  one  perfect  for  its  “structured  graphic  seems to me that a retelling
            tually  belong  to  the  peo-  editions  and  free  e-book  moment to failure.         design″ and “fluid, dreamy  of this great American story
            ple.  That’s  probably  as  it  editions  are  likely  to  prolif-  “This is a book that endures,  quality.” She called Fitzger-  could and should reflect a
            should be.”                  erate.                       generation  after  genera-   ald’s  novel  “incredibly  vi-  more diverse America.”q
            “Gatsby”  has  endured  in  Scribner editor-in-chief Nan
            a  changing  industry  and  Graham       acknowledges
            a  changing  world.  It  was  that  sales  are  likely  to  fall,
            published in 1925 by Scrib-  but  says  the  publisher  is
            ner  and  remains  a  Scrib-  working  to  hold  on  to  as
            ner book, though now part  much  of  the  market  as  it
            of  Simon  &  Schuster.  The  can,  drawing  in  part  on
            novel, popular with gener-   its  long  ties  to  Fitzgerald’s
            al readers and a standard  heirs.
            assignment  for  students,  A  graphic  novel,  featuring
            has  sales  as  dependable  an introduction from Blake
            as  any  so-called  “backlist  Hazard,  is  coming  out  in
            title.” When Fitzgerald died  June.  In  2018,  Scribner  re-
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