Page 31 - ATD 16Jan2016
P. 31
PEOPLE & ARTS A31
Saturday 16 January 2016
Review: ‘Ride Along 2’ follows silliness formula of original
SANDY COHEN police academy a week This photo provided by Universal Pictures shows, Kevin Hart, from left, as Ben Barber, Ken Jeong as
AP Entertainment Writer away from his wedding A.J. and Ice Cube as James Payton in a scene from the film, “Ride Along 2.”
With the same brand of sil- to Angela (Tika Sumpter).
liness and a bit more cre- He’s still trying to impress (Quantrell D. Colbert/Universal Pictures via AP)
ativity than the original, her brother, James, who still
“Ride Along 2”doesn’t can’t stand him. Hart seem even more smi- plete without car chases Although “Ride Along 2”
pretend to be anything At Angela’s urging, James ley and animated by con- and explosions, and the has fancier trim than the
more than what it is: a se- reluctantly agrees to bring trast. He eats up the cam- fancy rides and fireworks original, it’s really just the
quel designed to offer a Ben on a police mission era in every scene. in “Ride Along 2” reflect same old ride. But if you
second helping of exactly from Atlanta to Miami, Everything else is a side the film’s larger budget. thought the first one was
what worked the first time where James is on the hunt dish, though Jeong amus- There’s ample eye candy fun, taking another spin
around. The original “Ride for a suspicious hacker, AJ es as a sex-crazed hacker in the form of bikini-wearing won’t disappoint.
Along” topped the box of- (Ken Jeong). AJ is linked to nebbish and Sherri Shep- women, glamorous Miami “Ride Along 2,” a Universal
fice for three straight weeks a case James is working in herd is over the top as an settings and sleek sports Pictures release, is rated
when it opened in January Atlanta, but he’s also con- obsessive wedding plan- cars, including a breath- PG-13 by the Motion Pic-
of 2014, collecting $150 mil- nected to a major Miami ner. Munn gets in on the ac- taking baby-blue Jaguar. ture Association of America
lion returns on its modest drug lord, Antonio Pope tion scenes and performs a The most playful sequence for “sequences of violence,
$25 million budget. It fo- (Benjamin Bratt), who has sultry dance with Bratt, but involves that car and spe- sexual content, language
cused on Ben (Kevin Hart), been masquerading as a Sumpter is given little to do. cial effects that transform a and some drug material.
an excitable video-game philanthropist. This prompts Since this is a buddy-cop real street chase into what Running time: 101 minutes.
junkie and wannabe cop, a local homicide detec- movie, it wouldn’t be com- looks like a video game. Two stars out of four.q
and his attempts to impress tive, Maya (Olivia Munn),
his disinterested future to join the investigation.
brother-in-law, James (Ice The plot is too complicated
Cube), a hard-nosed po- to explain (there’s govern-
lice detective. Hart is goofy ment corruption and ship-
and slapstick; Cube is stern ping fraud involved), but
and annoyed. it doesn’t even really mat-
Producers reprise the for- ter. It’s just about setting up
mula and return to many ever more elaborate situa-
of the original film’s artists tions for Hart to be a goof-
for the sequel, including ball to Cube’s straight man.
screenwriters Phil Hay and The actors deliver, just like
Matt Manfredi and director in the last movie and oth-
Tim Story. ers where they play similar
This time around, Ben is roles. Cube is predictably
a fresh graduate of the tough and snarly, making
Review: ‘13 Hours’ is thrilling, but too video game-like
In this photo provided by Paramount Pictures shows John Krasinski as Jack Silva in the film, “13 up when the rounds aren’t (Pablo Schreiber), Dave
Hours: The Secret Soldiers of Benghazi” from Paramount Pictures and 3 Arts Entertainment/Bay firing. “13 Hours,” which “Boon” Benton (David Den-
Films. The movie releases in U.S. theaters Jan. 15, 2016. Chuck Hogan adapted man), John “Tig” Tiegen
from Mitchell Zuckoff’s (Dominic Fumusa), and
(Christian Black/Paramount Pictures via AP) book, is about many things, Mark “Oz” Geist (Max Mar-
but Bay tries to zero in on tini).
LINDSEY BAHR minutes pass so quickly. or floating through scenes that moment when those The actors are charismatic,
AP Film Writer His excitable camera is al- instead of staying static. It six contract soldiers tried to but they all seem more like
The most surprising thing ways doing something, gives the entire experience do the right thing in a diffi- types than real people.
about “13 Hours: The Secret whether shaking with a waterfall effect. This can cult situation. Recent-past tributes have
Soldiers of Benghazi” is how hand-held authenticity to be a little dizzying but it It is neither as grossly gratu- a way of sanitizing to the
Michael Bay makes 144 capture moments in battle certainly keeps the energy itous as Peter Berg’s “Lone point of obfuscation.
Survivor” nor as gripping as But they’re all basically no-
Ridley Scott’s “Black Hawk ble bros. Some read Joseph
Down.” Instead “13 Hours” Campbell, some Facetime
is a bombastic, vulgar and with their kids and wives,
often thrilling exercise in some quote “Tropic Thun-
red, white and blue ma- der” and all look out for
chismo that relies too much one another.
on romanticized video They tolerate the sniveling
game aesthetics and corny condescension of doughy
sentimentality to be a great CIA analysts like the chief
film. (David Costabile) who of-
Bay’s heroes are the brutes ten reminds them that they
— the big, hulking, beard- are only hired help and that
ed security guys who know he and his fellow agents
the country and the threats are the best and the bright-
more keenly than anyone. est. He even rattles off the
There’s Jack Silva (John names of their Ivy League
Krasinski), Tyrone “Rone” credentials as though he’s
Woods (James Badge Dowager Countess of
Dale), Kris “Tanto” Paronto Benghazi. q