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                                                                                     PEOPLE & ARTS Wednesday 28 June 2017


















                   The Moth, a global storytelling initiative, turns 20





            By KILEY ARMSTRONG           ranged derelict; finding his
            Associated Press             way home again.
            NEW  YORK  (AP)  —  What’s  But  it’s  tales  about  regular
            your story?                  people,  places  and  things
            From    mind-blowing    cir-  that leave him “riveted” —
            cumstances  to  everyday  a  deli  scene;  a  woman’s
            moments,  sharing  a  story  street  mime  encounter;  a
            about  the  human  condi-    personal revelation.
            tion  provides  the  stitch  “When  people  respond
            work for life’s tapestry.    to  my  odd  stories  they  re-
            That’s  what  people  are  spond  to  something  they
            doing  through  The  Moth  ,  see  in  themselves,”  says
            a  global  storytelling  initia-  Green.  The  most  “glorious
            tive  inspired  by  long-ago  stories ... evoke a sense of
            evenings  on  a  small-town  universality.”
            Georgia  porch.  The  New  In  The  Moth’s  nurturing
            York-based  nonprofit  has  cocoon,  presenters  and
            presented    over    20,000  audiences  laugh  and  cry
            “True Stories Told Live” since  together over deep, some-
            it  was  started  by  George  times-dark  secrets;  embar-
            Dawes  Green  in  his  Man-  rassments; hopes and fears;
            hattan living room 20 years  challenges      overcome;
            ago.  He  marvels  at  what  conflict and resolution.     This Feb. 5, 2016 photo released by The Moth shows Tara Clancy. Clancy tells her own stories via
            it’s become.                 “We’re being told that the   The Moth, a global storytelling podcast of recordings from live events.
            Storytellers can participate  world  is  divided.  I  honestly                                                                  Associated Press
            in open-mic “slams” — five-  believe  stories  are  a  part
            minute  talks  in  front  of  an  of the solution,” says Burns,
            audience without notes —  who grew up begging her
            in 22 U.S. cities; Sydney and  grandmother  at  the  kitch-
            Melbourne,  Australia;  Lon-  en table to tell stories “over
            don and Dublin, Ireland. A  and over again.”
            podcast of recordings from  Like  their  listeners,  Moth
            live  events  attracts  44  mil-  storytellers  come  from  all
            lion downloads a year.       walks of life: a refugee, an
            The  Moth  Mainstage,  fea-  astronaut  who  couldn’t
            turing  top-notch  storytell-  swim,  a  scientist  haunted
            ers,  tours  internationally.  by  a  childhood  regret  —
            There’s  also  a  Peabody  wishing he’d shared his ex-
            Award-winning radio show  tra hot dog with a boy who
            that airs weekly on 450 U.S.  couldn’t afford one.
            public  radio  stations  and  Hip-hop   pioneer   Darryl
            a  new  book,  “The  Moth  “DMC”  McDaniels  talked
            Presents All These Wonders:  about  an  obsession  with
            True  Stories  About  Facing  Sarah  McLachlan’s  ballad
            the  Unknown,”  edited  by  “Angel”  that  kept  his  sui-
            Moth Artistic Director Cath-  cidal thoughts at bay.
            erine Burns.                 The  “shared  humanity”  of
            “You go to a cocktail party  The  Moth,  says  storyteller
            and  get  interrupted  every  Tara  Clancy,  creates  “a
            20  seconds  by  conversa-   commonality  with  people
            tion  vultures,”  says  Green.  who may be very different
            But the world is “filled with  from you.”
            great  storytellers.  They  just  Clancy  loves  The  Moth’s
            weren’t given a chance.”     embrace  of  “underrepre-
            Green, a poet and novelist,  sented  voices.”  Her  own
            has  jaw-dropping  true  sto-  stories,  told  in  a  distinct
            ries  of  his  own:  hitchhiking  New  York  accent,  cele-
            north  at  age  15;  squatting  brate “women from places
            in a mausoleum with a de-    like Queens.”q
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