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PEOPLE & ARTS A29
                                                                                                                          Wednesday 12 August 2015

From outlaws to icons: N.W.A. goes big-screen mainstream 

SANDY COHEN                     just gained more and more       ed race. It transcended            In this Sunday, August 2, 2015 photo, Ice Cube poses for a por-
AP Entertainment Writer         respect as people started       music and genre.”                 trait in promotion of the new film “Straight Outta Compton,” at
LOS ANGELES (AP) — When         to see it wasn’t a gimmick,     Institutional censure of          the Four Seasons Hotel in Los Angeles.
N.W.A. released its 1988 de-    it wasn’t a tone, but it was    the group only added to
but album, “Straight Outta      just who we were and who        its appeal. Radio stations                                                                            Associated Press 
Compton,” it was vilified by    we wanted to be as artists.”    boycotted the music and
mainstream media. They          The biopic shows them not       there was no Internet, so         opened up the door for art-    the ones who green-light
found the music aggres-         as gangsters, but artists       “Straight Outta Compton”          ists to be on any side of the  movies.
sive, profane and pointedly     coming of age in a neigh-       was only available to those       fence they want to be on.”     “This is a major motion pic-
anti-police. It glorified vio-  borhood full of trouble,        who sought it out.                Profane content is no lon-     ture we’re talking about,
lence and dehumanized           although some critics are       “When you were listening          ger so risque.                 which speaks to cultural
women. Most radio stations      saying the era’s misogamy       back in the late ‘80s, it was     Times have changed, too.       relevance in a profound
refused to play it. It was the  was glossed over in the film.   like you were listening to        The young people who           way,” Boyd said. “Nobody
birth of gangsta rap, and       Cube and Dre started mak-       something that was illicit,”      grew up loving “Straight       would have imagined that
it was considered danger-       ing music together in the       Boyd said.                        Outta Compton” are now         back in the day.”q
ous.                            mid-1980s, as the crack         Eazy’s 1995 death from
A generation later, the         epidemic was overtaking         AIDS at age 31 cemented
leaders of N.W.A. are us-       urban Los Angeles. Gang         his legendary status, but
ing “the world’s most dan-      violence exploded, “Just        N.W.A.’s shift from margin-
gerous group” as a tagline      Say No” was in full swing       alized to mainstream was
for their big-studio biopic.    and police were merciless       more gradual, part of hip-
These days, Ice Cube is a       in trying to eliminate the      hop’s overall growth over
bona fide movie star and        scourge. With Dre’s beats       the past 25 years.
producer who counts fam-        as a backdrop, Cube             “When generations come
ily fare such as “Are We        ditched the boastful battle     of age, they bring their
There Yet” among his many       raps that were in style at      culture with them,” Boyd
screen credits. Dr. Dre is a    the time and started writ-      said. “There are genera-
celebrated producer who         ing about what they wit-        tions of people now who
sold his Beats brand to Ap-     nessed in their daily lives:    have grown up only listen-
ple for $3 billion last year.   Gang-bangers and police         ing to hip-hop and having
Both serve as producers of      who seemed to consider          only understood hip-hop as
the film, opening Friday.       all young black men sus-        mainstream culture.”
N.W.A. has gone from out-       picious. They caught the        Among them are the young
laws to icons.                  attention of Eazy-E, who        actors who play Cube, Dre
“The image of the outlaw        would become the group’s        and Eazy on screen. For
was how they were identi-       financier and front man.        them, N.W.A. has always
fied,” said professor Todd      Along with MC Ren and DJ        existed and the group’s un-
Boyd, an expert in race         Yella, the California quintet   restrained self-expression is
and popular culture who         became N.W.A., which re-        a critical part of hip-hop.
teaches at the University of    leased its first single on Ea-  “They were the first people
Southern California. “Over      zy’s Ruthless Records.          to really dig in there in a dif-
time, things that were con-     The group’s song “(Exple-       ferent way and say things
sidered the domain of the       tive) the Police” was a         that people weren’t trying
outlaw became main-             cultural flashpoint. Author-    to hear,” said 26-year-old
stream American culture.”       ity figures hated it; young     actor Corey Hawkins, who
Still, Cube and others in-      people loved it — and not       plays Dre. “Things might
volved in making the            just those who shared the       have changed, things
“Straight Outta Compton”        rappers’ experiences with       might have become main-
film say N.W.A. was never a     racial profiling. Young peo-    stream, but I don’t think
group of outlaws, but artists   ple of all ethnicities and      they changed.”
determined to speak their       economic strata identified      Cube said N.W.A.’s popu-
minds and air what they         with N.W.A.’s energy and        larity “gave artists a chance
saw as injustices in their      anger.                          to be themselves.”
community.                      “I think it tapped into the     “Without N.W.A., you don’t
“We were fearless and hon-      rebellious nature of the        have shows like ‘The Os-
est, and we weren’t going       youth,” said “Compton”          bournes.’ You don’t have
to let society stop our vi-     director F. Gary Gray, who      ‘South Park.’ You don’t
sion of who we thought we       was among the teenagers         have Eminem. You don’t
were,” Cube said in a re-       moved by the music when         have Marilyn Manson,”
cent interview. “I think that   it came out. “It transcend-     he said. “So I just think we
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