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Fame, notoriously Fickle  toward
         blues singers, has been hovering close to
         Bobby Bland for almost two decades;
         always close but never quite touching
         him. His rich blend of gospel and blues
         has won him a steady, devoted (though
         not overly large) following, particularly
         in Chicago and Houston, his  two
         adopted homes. Although -his records
         are consistent sellers, he ' s never had the
         big hit. the spectacular success. That's
         like the man himself ; consistent, steady,
         even  and  dependable.  His  warm
         baritone, tailored band arrangements
         and his involvement with his audiences
         have earned him the sobriquet “king of
         the gospel blues."
           Bland was born January 27, 1930,in
         Roscmark, Tenn. His family moved to
         Memphis, where he grew up absorbing
         that city's gospel and blues influences.
         He worked as driver and valet for B.B.
         King and later  drove for  Roscoe
         Gordon, the great Memphis blues singer.
         Bland began singing professionally in
         1949 with Adolph Duncan ' s band. His
         career was interrupted when he was
         drafted into the Army in 1952 after
         recording “Drifting From Town  to
         Town" for the Modern label.
           He signed with Duke Records (which
         was formed in Memphis and moved to
         Houston ) in 1955 and is still with the
         Smell Trouble. *  became a moderate
         same company. Bland's fifth single. “ I
         R&B hit in 1957 as did “Farther On Up
         the Road "  later that year and he was on
         his way. His biggest hits were to come
         during the next seven years ; " I 'll Take
        Care of You, " in 1959. “ Cry Cry Cry "
        in I960, “I Pity the Fool, " “Turn On
         Your  Lovelight "  and “St. James
         Infirmary"  all  in  1961; “Stormy
         Monday" and “Yield Not to Tempta-
         tion" in 1962; “Call On Me" and
        “That's The Way Love Is " in 1963;and
        “Ain ' t Doin' That Bad " and “Ain’t
         Nothin You Can Do " in 1964.
              *
           He was named No. 1 rhythm and
        blues vocalist in 1961 by Cash Box and
         Bobby “Blue" Bland ( he later dropped
        “Blue "  to  try  to attract a wider
        audience) seemed headed for the top.
        His appeal reached its peak in the
        mid- l960’s, however, and the nation-
        wide acclaim that appeared imminent
        years of recording and dozens of singles.
        was never realized. Today, after 17
        Bland is an undisputed blues pillar but
        public recognition has not kept pace
        with his achievements. There s still time,
                              '
        however, and Bobby Bland has demon-
        strated that he has time, patience, and
        talent.
                             Chet Hippo
                                                                                                   caecm
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