Page 10 - Write Away Magazine Dec 2019
P. 10

George Michael’s Vocals







        In the coaching world, one of the primary things  The ability to instantly go from a huge belt to a
        to get working in a voice quickly is efficiency and  seductive and breathy voice is one of the greatest
        adduction - the proper closing of the vocal folds.  hallmarks of George Michael’s sound.  He was
        So many other great things become available              truly masterful at it.  And he could do it more
        when we can do this.  So what about all the              than once within the same vocal line.
        breathy songs out there? Are they sung  poorly?
        Are they bad?  Not at all.  But if you’re in             George Michael had a GREAT tone to his voice.
        training with a pro coach and the ONLY thing             It always sounded very open, controlled and

        you can ever do after training is sing breathy,          accurate.  What made his performances shine
        then you’d probably want to be asking some               was his deliberate (or naturally intuitive)
        questions. A car that can go 200Km/hr can                movement from breathy to belt without
        obviously travel at 60 if the driver desires, yet        changing his tone.  This takes skill and a deep
        a car that can only go to 60 can’t go to 200.  A         emotional connection to his voice.  Listen to his
        voice that can sing powerfully can obviously pull  performances and you’ll notice him moving in
        back and sing breathy and intimately, but a voice  and out seamlessly.
        that can only ever do that, can’t sing with power.
                                                                 So when you’re working on your performances
        When a singer interprets a song, there are               this month, why not take a leaf out of his book
        multiple options available to them.  Loud or soft?   and try singing some phrases differently to

        Pushing the groove or sitting back on it?  Bright        how you usually would.  If you have a naturally
        and twangy or dark and mellow? Perfect diction           breathy voice, try singing a few with a clear tone,
        (that might make a contemporary song suck) or            and if you naturally sing very clear and
        approximate diction (that would make                     efficiently, try singing a word or two with some
        traditional singing suck) and breathy or clear.          breath for emphasis.  I can’t stress enough what a





































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