Page 107 - The Digital Cloth issue 2
P. 107

I have always loved turtles, and on a family
 holiday in the Galapagos Islands, I had the
 opportunity to snorkel with them. I already
 knew I wanted to make a turtle quilt so I took
 heaps of photos with my underwater camera.
 My first idea was to get the ‘perfect’ picture of a
 turtle swimming straight towards the camera, as
 I didn’t want the so-often used bird’s-eye view
 of a turtle. After taking hundreds of
 rapid-fire pictures, I realised that front-on is
 not a very flattering angle for a turtle, as they
 appear very grumpy. So, I changed tack and just
 took as many pictures as I could. One day I gave
 my mother the camera and she ended up taking
 the only photos of turtles with sun streaming
 in, which looked great. I chose this photo, even
 though it’s blurry with lots of flecks in the
 water!

                                                               If you are interested, you can see more of my
                                                               textile art on Instagram
                                                               @karen_mcgregor_artist.




 I wanted to use trapunto on the turtle so I had to stage        Karen McGregor
 my thread painting. Each layer of thread painting was
 done on thin batting. I used 100-weight silk thread
 (Superior Threads Kimono Silks and YLI Silk thread)
 to add texture, first to the shell. I then added a layer of
 trapunto batting under the shell. I added texture to the
 segments on the
 To make my pattern I traced the main elements  turtle’s flippers and head, and added another layer of

 from the photo and extended the right flipper   trapunto batting to the entire turtle. Finally, I sandwiched
 for a more pleasing composition. I had it   the quilt and quilted the ocean, the remaining areas on
 printed to size, and covered the paper with clear  the flippers and head, the wrinkles in the neck and the
 vinyl. I placed my thin, tightly woven white   grooves of the shell. It was a massive challenge quilting
 fabric over the paper pattern and began   the ocean, as the quilt is much heavier on the right side
 painting. I used Jo Sonja’s acrylic paint and   (with five layers of batting!) and kept wanting to fall off
 textile medium and mixed most of my paint   my extension table. I also broke around seven needles
 on the fabric. I haven’t had painting lessons so   sewing the wrinkles in the neck, as it was so thick, and I
 didn’t realise this isn’t the recommended   needed to use fine needles for the thin silk thread so any
 method until I destroyed the top of my paint   holes created in the painting weren’t obvious.
 brush! It was exciting seeing the turtle come to   My quilt was selected for the Houston International Quilt
 life on the fabric.  Festival competition and received an Honourable
 For the background I chose a contrasting   Mention. I was totally thrilled!
 colour to emphasise the turtle, all the while   I love how my turtle, affectionately known as Todd, looks
 terrified it was the wrong choice. I only   as though he is swimming along, and I can imagine I
 managed to convince myself to paint the   am snorkelling next to him. Green Sea Turtles are listed
 background because I knew if it didn’t work,   as Threatened worldwide. I would be devastated if they
 I could cut out the turtle and appliqué it to   went extinct and others couldn’t experience the joys of
 another background. Fortunately, I loved the   seeing and swimming with them.
 colour.
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