Page 42 - Enso Circle Catalog September 2021

About

the SUE CONNER

Artist Discovering the world of encaustic painting in the fall of 2014 ignited

within me, a spark that has yet to be extinguished. As I delve deeper into
the nuances of this extraordinary medium, I continue to experiment with
ways to create textures, embed found objects, incorporate images, and
integrate paper, where the wax becomes the unifying factor.

I find satisfaction when, instead of trying to control the outcome, I let the
spontaneous nature of the wax guide me.

About The poetic nature of trees and the environment in which they exist,

continues to be a recurring theme in my art. My intent for these pieces was
the to explore ways to communicate the connection I feel with nature while TOP: UKA, ENCAUSTIC MEDIUM, PHOTOGRAPHS, ASSORTED PAPERS, FIBERS, FOUND OBJECTS ON
FOAM BOARD 11X26 NFS
experimenting with alternative construction methods in which the means of
presentation was an integrated part of the work.
LEFT: HONORING THE NOT SO PERFECT ENCAUSTIC MEDIUM AND PAINT, PANPASTELS, FOUND
Work “Uka”, surrounded by the downward, graceful, organic shapes of the OBJECTS ON FOAM BOARD 7X16.5X2.5 NFS
BELOW: JOSHUA TREE - A STUDY ENCAUSTIC MEDIUM, PHOTOGRAPHS, FOUND OBJECTS,
RECLAIMED WOOD 14X19X3 NFS
leaves represents the idea of “letting go”. She possesses a carefree spirit
that reminds us to be more “in the moment”.

Taking a closer look at the intricate network of lines within the eucalyptus
leaf inspired “Honoring the Not So Perfect”. Finding beauty in imperfection
leads us to better understand this diverse world in which we live.

“Josua Tree – a Study” explored the stark contrast of the smooth granite
rocks and the majesty of the Joshua tree within its natural environment,
both symbols of strength and perseverance.

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