Page 61 - Enso Circle Catalog September 2021
P. 61

About  LYN BELISLE



 the  Shards, Relics, and Beeswax


 Artist  My work has always been strongly influenced by the idea of “shards” as



 a metaphor for human communication across time. A shard can be a found
 fragment of clay, a rusty nail, a scrap of handwriting – any little clue that
 becomes a “secret handshake” between the maker and the discoverer.

 For decades I’ve worked with clay, fiber, and paper in assemblage and collage
 to express this non-verbal time-circle connection. When my friend Michelle
 Belto introduced me to the encaustic process in 2009, This new-to-me medium
 seemed the perfect companion for my most-loved materials. I’d briefly tried
 encaustic medium on collage, but I began to understand that beeswax is a
 metaphoric
 material in itself, ancient as clay, versatile as paper, compelling as ivory and
 bone. Now beeswax and encaustic are integral parts of my process.


 I rejoice in the power of art to elicit both recognition and belonging.  Art
 humanizes and joins us, helping us communicate in a universal non-verbal
 language across time and space.
 TOP:
 I’LL FLY AWAY
 About  DIGITAL PHOTOCOLLAGE, BEESWAX,
 MEDIUM:
 PIGMENT, FOIL
 the   Part of the bedrock of the Enso Circle is goal-  12” X 12” X 2.5”
 DIMENSIONS:
 setting. As a long-time professional artist, I realized
 Work  that during the Pandemic, I had pulled back from   DEFINITION OF METAMORPHOSIS: CHANGE
 DESCRIPTION:
 challenges, content to work in comfortable themes
 and media while developing online workshops and
 OR SUBSTANCE ESPECIALLY BY
 other educational media.   OF PHYSICAL FORM, STRUCTURE,
 SUPERNATURAL MEANS. CROWS
 BELIEVE THAT THEY GET TO TURN INTO
 DRAGONFLIES WHEN THEY GO TO HEAVEN.
 My self-imposed challenge and goal was to to get   ASK ANY CROW.
 back in the practice of entering some national juried
 shows for the purpose of focusing on prescribed   BOTTOM:
 themes in my artmaking. No matter how long artists   TWO SIDES TO EVERY STORY
 have practiced, competition can be scary, and   MEDIUM:
 rejection a tough lesson.    FIBER, WOOD, FOUND OBJECTS, MIXED
 MEDIA
 DIMENSIONS:
 The two pieces on the right were, blessedly, juried   17” X 6” X 6”
 into two national juried exhibitions during the course
 of this Enso Circle Term. I will swear that the “Enso   DESCRIPTION:
 THIS WORK EXPLORES AMBIGUITY IN THE
 influence” of accountability and structure contributed   LANGUAGE OF COMMUNICATION THROUGH
 to reaching my goal!  FIBER ART. ANY INTERPRETATION OF THIS
 MEMORY-STORY IS NEITHER BAD NOR
 GOOD. THE VIEWER INTERPRETS THE PLOT
 FROM VISUAL CLUES ON BOTH SIDES.
 TEXTURES AND EXPRESSIONS REMIND US
 THAT THERE IS ALWAYS BE MORE THAN
 ONE RIGHT ANSWER.
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