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About                   RACHEL DE ALMEIDA



          the



          Artist &           In this series, Night Swimming (thank you R.E.M.) I am using different mediums
                             and sizes to evoke the physical memories we all hold in our bodies. By using the
          the                same basic image and approaching change through mediums, I am exploring all

                             the characteristics of my particular physical memories in hopes that the viewer
          Work               can “feel” along with me.



                             When I first heard the song “Night Swimming” by R.E.M., the inspiration for this

                             series it put me in mind of times years ago when we used to go skinny dipping
                             at night in the Long Island Sound. The things that it evoked in me are the sound
                             of the night as the water pushes away from your body, the sensual feel of water
                             on skin, the fragrance of summer. When I am working on this series, I feel, hear,

                             and smell those nights of my youth. The clandestine trips to the beach in the
                             dark, hearing the lapping of the waves, it all comes rushing in. I like to work from
                             emotions, physical feelings as I am guided by Spirit. It brings me into meditation
                             unlike anything else.



                             I love textiles, color, movement, and pattern. I decided to use the same overall
                             image for each one of this series. This second piece uses shiny and patterned
                             fabrics and embroidery floss to create the feel of my memories and the reflection

                             of the moon on water. It has many layers of patterns, textures, and color. I wanted
                             it to feel very self-contained, so I used multiple fabric borders. Whenever I stitch
                             a piece it is the equivalent of hours of meditation. Slow stitching helps me to calm
                             and focus.



                             As I moved forward to the third piece in the series, I decided not only to continue
                             with the basic image, I also chose to use textiles once again. This time I wanted
                             a more organic feel with more texture and a bit more primitive. I didn’t use the

                             intricate stitching patterns as much in this one and instead incorporated a Sashiko
                             like stitch in a metallic silver floss. For more texture, I used hand dyed cheesecloth
                             and an extremely shinny silver fabric for the moon’s reflection on the water. Each
                             time I add another piece to this series, I can bring that piece of my history into

                             the present. I am planning to continue with this series using different mediums to
                             portray and enhance the concept of physical memory.




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