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LYN BELISLE

        SAN ANTONIO





               Lyn Belisle is a multidisciplinary artist embracing encaustic painting, earthenware,
               digital imagery, sculpture, textiles and found objects. Her artwork gives expression
               to her quest to discover and connect  synchronistic shards of meaning through
               collage and assemblage. She teaches mixed-media workshops at Lyn Belisle
               Studio in San Antonio, and also teaches nationally, most recently in Santa Fe,
               Provincetown, Washington State, and Taos. She has retired from the faculty in the
               Computer Science Department at Trinity University to work full time at her studio
               and  has work at The Museum of Encaustic Art in Santa Fe and in the San Antonio
               Art League & Museum.

               Statement:
               My work has always been strongly influenced by the idea of “shards” as a
               metaphor for human communication across time. A shard can be a found fragment
               of clay, a rusty nail, a scrap of handwriting – any little clue that becomes a “secret
               handshake” between the maker and the discoverer.

               Human faces, ancient or contemporary, fascinate me as summaries of life stories
               in the moment. Clay, paper, beeswax, and fiber are my instinctive, beloved media
               but mark-making through abstract painting challenges me to develop my own
               language of expression and translation.


               The more aware I am of the little day-to-day incomplete clues that capture my
               attention by calling to me in a mysterious way, and the more I take note of them,
               the more understanding I gain about the purpose of my art as the re-assembling of
               human narratives across time.









                   BOTTOM  LEFT:                                       TOP CENTER AND BOTTOM RIGHT:

                   Digital Divide 94: The Last Kimono                  Flights of Fancy
                   2022                                                2022

                   Constructed kimono form mounted on                  Fired earthenware, encaustic and beeswax,
                   stretched canvas panel with components of           hand-dyed shredded silk, found objects,
                   used studio drop cloth (torn), hydrosoluable        38x17x10”
                   fiber, walnut ink, paper twine, surface             8 lb.
                   design, found objects, and a Noh-like mask          $500
                   made of fired earthenware.
                   21x15x5
                   3 lb.
                   NFS
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