Page 24 - _TX3Dcat1224
P. 24

SUSAN CALAFRANCESCO

        CANYON LAKE




                        Susan Calafrancesco was born in 1960 and has spent her life dedicated
                        to the enchantment of storytelling with clay. What began as a high school
                        ceramics class in rural Rhinebeck, NY; over time, blossomed into a life full
                        of color, texture and form.


                        Susan attended SUNY Potsdam in New York state in the early 80’s and
                        completed a Studio Art Bachelor’s Degree with an emphasis in pottery.
                        She moved to Texas in 2007 and began her full-time artist career after
                        raising her two children. Susan maintains a studio in Canyon Lake, TX.


                        She exhibits her works at various galleries in Texas and across the
                        country. Recently she was chosen to exhibit at the prestigious, Strictly
                        Functional Pottery National held in Pennsylvania. She exhibited a colorful,
                        quirky sculptural piece to hold a salt and pepper basket and a toothpick
                        holder. Her work, “The Duet”, and fun sculpture with a man and a mouse
                        playing the same fantastical instrument, is featured in the Lark Book, “500
                        Figures in Clay volume 2.”

                        Her works are culled from dreams and silent meditation. Susan is drawn
                        to nature and often includes animals in her sculptures. These intricate
                        sculptures will usually tell a story. The viewer can discern their own story,
                        and the hope is for the viewer to smile at the narrative.


                        Susan’s recent work encompasses an experimental process of using
                        natural items, such as beehives, cactus “skeletons”, and other organic
                        materials. These items are drenched in liquid, porcelain clay and the
                        organic material is then burned out in the kiln. The resulting pieces are
                        “stitched” together to form a sensuous, translucent porcelain sculpture.


                        Every finished sculpture morph from a lump of clay with an idea, to a
                        flowered alternate reality that mixes earthen textures and delightful
                        characters into a world of intricate fantasy.
   19   20   21   22   23   24   25   26   27   28   29