Page 26 - Wax Fusion Spring 2022 Issue 6 WIP v19
P. 26

About the Author



             Diane Kleiss was born in an Iowan Heartland community, where
             life was all about the land and the seeds. This heritage resulted

             in several art series over the years honoring that life-giving
             environment – Mother Earth.



             After receiving a B.A. at Itasca Community College in Grand
             Rapids, MN, she continued at the University of Minnesota,

             Duluth and received a B.F.A. – K-12 Art Education degree and a
             minor in Art History. During that time, five inspiring summers

             were spent taking weeklong workshops at the Grand Marais Art
             Colony in northern Minnesota, surrounded by like-minded

             artists and inspiring lake and wooded vistas, her art expanded
             and flourished.  After graduation she taught grades 1-12 art for

             five years at the Minnesota Cromwell School District, while also
                                                owning a resort for 20 years on a remote
                                                lake filled with nature’s bounty, further

                                                inspiring her environmental art focus.



                                                In 1994, she moved to Tucson, AZ,
                                                trading rippling lakes for earth-bound

                                                mountains filled with ancient rock
                                                surfaces. She became involved in several

                                                art organizations, also continuing to
                                                teach art in schools, art centers, and in

                                                her studio.


                                                In 2008, she turned to painting and

                                                sculpting with beeswax, an ancient
                                                encaustic medium that she could pour,

                                                carve, and mold. Now directing more
             attention to her own studio practice, she began building a body

             of work joining other encaustic groups to expand her
             techniques and knowledge of this medium. Her art evolved and

             this led to acceptance in exhibits around the U.S.


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