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The Beats, Buddhism, and

                   Abstract Expressionism

                                                               By Jacqueline Luinstra
          Ah, the 1950’s! Women in poodle skirts set apple pie on the
    window sill to cool. Dapper men buttoned down and upright march to
    work and back. Lovely, isn’t it? Whatever images that pop into your
    mind at the mention of this bland glorious era, I would bet my student
    loans that there’s a distinct absence of marijuana smoke, bongo
    drums, and salacious, intellectual, insufferable young wanna-be-
    poets. To many of us, the beatniks are either a historically out of place
    whisper of adolescent rebellion, or they’re altogether unheard of. Yet,
    from Kerouac to Pollock, from cross-legged Buddhas to chaotic
    smatterings of paint, these outlandish hipsters made an
    immeasurable contribution not only to American history and culture,
    but to the strange and murky world of 20th Century art. Now, I know
    what you’re thinking. Is there any phrase human lips can form that is
    more pretentious than “the world of 20th Century art?” Probably not.
    But what if I told you that all of those hideous, nonsensical,
    inexplicably expensive paintings and sculptures cluttering up your
    city’s modern art museum all share an unlikely genesis in a couple of
    rowdy young poets committed to cultural defiance and— of all things!
    — Zen Buddhism? The beatniks were the lone unruly voices of
    nonconformity in an era built on staunch principles of “respectability.”
    In their quest for truth, they brought about a second “Great Wave” of
    interest in Japanese culture and religion, and that wave unsettled the
    structure and tradition that was fundamental to the artists of the time.
    Captivated by the beautiful and
    ancient teachings of the Zen
    monks, who challenged ideas of
    form, space, and emotion the
    beats revolutionized not only
    literature, but the entire world of
    visual art. Like a sudden clap of
    thunder in the night, the beats
    birthed a loud and shrieking form
    of art named abstract
    expressionism, and American art
    has been unable to go back to               Pollock at work. Taken
                                                fromhttp://time.com/3878765/jackson-pollock-
    sleep since.                                early-photos-of-the-action-painter-at-work/
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