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A30    PEOPLE & ARTS
               Thursday 14 February 2019
            'Alita: Battle Angel' is big eyes and big effects




            By MARK KENNEDY                                                                                                     who has some moral issues
            Associated Press                                                                                                    to  work  out  since  he's  ro-
            Alita  is  just  like  a  typical                                                                                   mancing a cyborg by day
            teenage  girl.  She  loves                                                                                          and  slicing  them  apart  at
            chocolate,  breaks  curfew                                                                                          night.
            and crushes on a bad boy                                                                                            There  are  several  subplots
            with  floppy  hair,  a  leather                                                                                     involving cyberpunk boun-
            jacket  and  a  motorcycle.                                                                                         ty  hunters,  a  ruling  elite
            But Alita isn't typical in other                                                                                    that  lives  in  the  sky  and
            ways. For one, she can slice                                                                                        the town's favorite sport —
            apart  a  single  falling  tear                                                                                     Motorball,  a  combination
            with  her  ferocious  battle                                                                                        meth-fueled  roller  derby
            sword.                                                                                                              and  Death  Race.  The  film
            Those  are  the  two  sides                                                                                         is  rated  PG-13  but  there's
            brought up by "Alita: Battle                                                                                        quite  a  bit  of  cyber-gore
            Angel  ,"  our  film  entry  into                                                                                   here,  including  gouging
            the  thrilling  manga  world                                                                                        out  eyeballs  (more  than
            of  artist  Yukito  Kishiro  and                                                                                    once) and slicing metal folk
            imagined  for  the  screen                                                                                          in half or amputating them.
            by  producer  James  Cam-                                                                                           If these were human, we'd
            eron  and  director  Robert   This image released by Twentieth Century Fox shows the character Alita, voiced by Rosa Salazar,   be moving toward an R for
            Rodriguez.  The  film  crams   in a scene from "Alita: Battle Angel."                                               sure.
            in  so  many  plot  lines  that                                                                    Associated Press  The  filmmakers  are  not
            it  risks  being  overstuffed                                                                                       afraid of making our hero-
            but somehow stays true to  She's been given huge CG  by  a  compassionate  cy-         the sky here, but the popu-  ine  absolutely  lethal  and
            its  mesmerizing  vision  and  eyes but they're not as dis-  ber-physician  played  by  lation  still  relies  on  cheap  yet  swooningly  immature
            emerges as a sci-fi success,  tracting  as  you  may  fear.  Christoph  Waltz.  The  year  plastic umbrellas.)      (she  actually  digs  into  her
            if not a triumph.            Somehow, Salazar still con-  is  2563  and  we  are  in  the  Alita's human core is given  chest and offers her own ar-
            Alita  is  both  machine  and  veys deep emotion without  crowded,  chaotic  streets  a  body  and  she  awakens  tificial beating heart to her
            human  and  the  big-bud-    a  crucial  acting  tool.  The  of  Iron  City,  a  melting  pot  but has no memory of what  boyfriend,  later  laughingly
            get  screen  adaptation  is  film  also  has  appearances  of  survivors  from  a  post-  came before. She must find  admitting that gesture was
            both live action and com-    by  Jennifer  Connelly,  who  apocalyptic  war.  Cyborgs  out who she is and what her  "intense.")  She  can  give  a
            puter  generated,  each  is chilly and mysterious, and  are  everywhere  and  get-     destiny is. "Whose rules do I  beat-down to a roomful of
            element  present  in  Alita  Mahershala Ali, who is chilly  ting  fresh  parts  seems  to  live  by?"  she  asks.  Mean-  hardened killers but still curl
            herself,  played  with  equal  and dangerous.             fuel  the  economy.  (Curi-  while,  she  falls  for  a  hu-  up  on  the  couch  and  put
            parts  tenderness  and  fe-  The  film  begins  with  Alita's  ously, plastic umbrellas are  man cyborg jacker (bland  her  head  on  her  adoptive
            rocity  by  Rosa  Salazar.  torso found in a junk heap  still in use. Cities can float in  but hunky Keean Johnson)  dad's chest. q

                                                                      Cass McCombs evokes the West on


                                                                      'Tip of the Sphere'


                                                                                                                                his  career,  with  an  atmo-
                                                                                                                                spheric,  sweetly  meander-
                                                                                                                                ing record made in 10 days
                                                                                                                                in  Brooklyn  but  with  plenty
                                                                                                                                of  sonic  and  thematic  ref-
                                                                                                                                erences to his native West.
                                                                                                                                "Tip  of  the  Sphere"  tapers
                                                                                                                                down some of the frills of its
                                                                                                                                predecessor,  achieving  a
                                                                                                                                more uniform overall sound
                                                                                                                                while  still  finding  space
                                                                                                                                for  some  catchy  arrange-
                                                                                                                                ments and lyrics alternating
                                                                                                                                between mythical, realistic
                                                                                                                                and enigmatic.
                                                                                                                                A  hypnotic,  insistent  gui-
                                                                                                                                tar  arpeggio  on  the  intro-
                                                                                                                                ductory  "I  Followed  the
                                                                                                                                River  South  to  What,"  as
                                                                                                                                well  as  the  vaguely  Jack-
                                                                      This cover image released by ANTI- shows "Tip of the Sphere," a   son  Browne-like  tone  of
                                                                      release by Cass McCombs.                                  McCombs  vocals,  not  to
                                                                                                               Associated Press  mention the turbulent and
                                                                                                                                lengthy  guitar  solo,  evoke
                                                                      By PABLO GORONDI             Cass  McCombs  follows  up  the  California  spirit,  while
                                                                      Associated Press             2016's  "Mangy  Love,"  the  "The Great Pixley Train Rob-
                                                                      Cass McCombs, "Tip of the  most  all-around  successful  bery"  is  a  dynamic  tune
                                                                      Sphere" (ANTI-)              and profile-lifting album of  based on a real 1889 heist.
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