Page 47 - Poze Magazine Volume 82
P. 47

Q&A Editorial Session
               Poze Magazine: Your musical journey is deeply rooted in
               Ethiopian heritage. How do you balance preserving
               traditional sounds while blending them with genres like  with Dereje Tamirat
               Afrobeat, jazz, and reggae?
               My journey starts with the rich and diverse sounds of Ethiopia.
               I’ve always been fascinated by how our traditional melodies
               carry stories and deep spiritual energy. As I explored genres
               like Afrobeat, jazz, and reggae, I found they shared a similar
               heartbeat, rhythm, soul, and resistance. Therefore, I balance
               the traditional music as the core, then building around it with
               modern elements. It would be like telling an ancient story with
               a new voice honoring the past while pushing creative
               boundaries.
               Poze Magazine: Co-founding Afro Groove must have been
               an incredible experience. What was the vision behind the
               band, and how has it influenced your musical evolution?

               Afro Groove was born from a desire to celebrate African
               rhythms with global appeal. The vision was to create a
               platform where our own roots could be fused with modern
               sounds. It helped me grow not just as a bassist, but also as a
               composer, and band leader. Our performances on stages
               are collaborations across genres challenged me to think
               globally while staying Ethiopian authentically. Afro Groove
               gave me confidence that fusion isn`t just possible; it  powerful.
               The experience shaped me into a better performer,
               collaborator, and cultural storyteller.
               Poze  Magazine:You`ve  performed  across  Ethiopia  and
               internationally can you share what made your performance
               at the Global Music Campus particularly fulfilling?

               The Global Music Campus was a powerful moment in my
               career. I performed with a multicultural band featuring
               musicians; for instance, Ethiopia, Uganda, Tanzania, South
               Sudan, Sera Leon and Germany. We played “Jinja Road”, a
               well-known Ugandan piece, where I performed as a bassist. It
               was not only a musical exchange but also a cultural, unity, and
               growth across East Africa. That performance paved ways to
               the richness of regional collaboration and deepened my
               appreciation for music as a universal language.
               Poze Magazine: As a music educator and mentor, what
               impact do you hope to make on your students and the next
               generation of Ethiopian musicians?
               I’m fascinating in teaching music; therefore, as a music
               professional teacher, my goal is to inspire young musicians to
               explore their creativity while staying rooted in their cultural
               identity. In my teaching experience, I have identified some
               talented students who will be effective in the music industry. I
               believe music is not only a skill but a powerful form of
               expression that connects people to their heritage. My mission
               is to cultivate creativity, confidence, and culturally pride
               young musicians. I aim to inspire students not just to master
               their instruments, but also to understand the power of music as
               a tool for identity, expression, and change. My hope is to see
               my students carry forward our traditions while crafting their
               own stories.
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