Page 339 - Fingerprints of the Gods by Graham Hancock
P. 339

Graham Hancock – FINGERPRINTS OF THE GODS



                   Sphinx is now so confidently attributed to Khafre:
                   1  Because of the cartouche of Khafre on line 13 of the Sphinx Stela
                       erected by Thutmosis IV:  Maspero gave a perfectly reasonable
                       explanation for the presence of this cartouche: Thutmosis had been a
                       restorer of the Sphinx and had  paid due tribute to an earlier
                       restoration of the monument—one  undertaken during the Fourth
                       Dynasty by Khafre. This explanation, which bears the obvious
                       implication that the Sphinx must  already  have been old in Khafre’s
                       time, is rejected by modern Egyptologists. With their usual telepathic
                       like-mindedness they now agree that Thutmosis put the cartouche on
                       to the stela to recognize that Khafra had been the original builder (and
                       not a mere restorer).
                         Since there had only ever been this single cartouche—and since the
                       texts on either side of it were missing when the stela was excavated, is
                       it not a little premature to come to such hard-and-fast conclusions?
                       What sort of ‘science’ is it that allows the mere presence of the
                       cartouche of a Fourth Dynasty pharaoh (on a stele erected by an
                       Eighteenth Dynasty pharaoh) to determine the entire identification of
                       an otherwise anonymous monument? Besides, even that cartouche has
                       now flaked off and cannot be examined ...
                   2  Because the Valley Temple next door is also attributed to Khafre:
                       That attribution (based on statues which may well have been intrusive)
                       is shaky to say the least. It has nevertheless received the wholehearted
                       endorsement of the Egyptologists, who in the process decided to
                       attribute the Sphinx to Khafre too (since the Sphinx and the Valley
                       Temple are so obviously connected).
                   3  Because the face of the Sphinx is thought to resemble the intact
                       statue of Khafre found in the pit in the Valley  Temple:  This, of
                       course, is a matter of opinion. I have never seen the slightest
                       resemblance between the two faces. Nor for that matter had forensic
                       artists from the New York Police  Department who had recently been
                       brought in to do an Identikit comparison between the Sphinx and the
                       statue  (as we shall see in Part VII).
                              29
                     All in all, therefore, as I stood overlooking the Sphinx in the late
                   afternoon of 16 March 1993, I considered that the jury was still very
                   much out on the correct attribution of this monument—either to Khafre
                   on the one hand or to the architects of an as yet unidentified high
                   civilization of prehistoric antiquity on the other.  No matter what the
                                                                              30

                   29  Ibid., pp. 230-2; Mystery of the Sphinx, NBC-TV.
                   30  At least one orthodox Egyptologist, Selim Hassan, has admitted that the jury is still
                   out on  this  issue.  After twenty years of  excavations at Giza he  wrote, ‘Except for  the
                   mutilated line on the Granite Stela of Thutmosis IV, which proves nothing, there is not
                   one single ancient inscription which connects the Sphinx with Khafre. So, sound as it
                   may appear, we must treat this evidence as circumstantial until such a time as a lucky
                   turn of the  spade  will  reveal to the  world  definite reference to the erection of this
                   statue.’ Cited in Conde Nast Traveller, February 1993, pp. 168-9.



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