Page 86 - I Live in the Slums: Stories (The Margellos World Republic of Letters)
P. 86

earlier. Looking into the distance, he saw that half the sheds had been
               demolished. He thought, Perhaps it’s my fate to be related to this place. Walking
               absentmindedly, he tripped on something and nearly fell. Oh, it was the piglets!

               They were scurrying fast in all directions. The younger mountain person said,
               “All kinds of animals live in swamps, except for water buffaloes.”
                   “Look—the piglets are going into the Grand Theater!” Ayuan shouted in
               excitement.
                   In the blink of an eye, the two mountain folk disappeared.
                   Ayuan went over to the Grand Theater. A poster outside the theater pictured
               the piglets. They were actors! A male voice came from the theater’s loudspeaker,
               “This is 1963. Mushrooms grow underground here. This is a girl’s bowknot.
               Ladies and gentlemen, give me your attention . . .”
                   Ayuan lost no time in buying a ticket and rushing into the theater.
                   Lights were on, but no one was there. He made his way down a long aisle
               between the seats and climbed up to the stage. Just then, he tripped again. Oh,
               the piglets! Before he could get a good look at them, they disappeared behind the
               curtain, and the stage light went out. Feeling his way, he walked across and
               grabbed the curtain.
                   It was wet. God! It had so many layers that it was almost a forest of curtains.

               Panting, he squatted down. Wrapped in the damp velvet curtains, he heard the
               piglets moving—many of them. What on earth did the poster signify? Below the
               stage, a woman shouted, “Ayuan, Ayuan! Did you see the big-headed fish?”
                   Smothered by the curtain, Ayuan couldn’t talk. His voice sounded like a
               whisper, “I—I . . . piglets.”
                   At last, a piglet made its way to his feet. The piglet was smelly, but it showed
               warmth toward Ayuan. At once, he found it easier to breathe. The woman below
               the stage was still calling him, but Ayuan didn’t want to answer. Holding the
               piglet, he trembled with excitement. The curtains groaned and wriggled gently.
               The thick curtains turned into living things; no light could penetrate from
               outside. Ayuan eventually figured out that the woman below the stage was the
               bride from the photography studio. He thought, What kind of life is this bride

               leading?
                   In this forest of curtains, Ayuan’s mind was filled with many events of the
               past. He felt it was bizarre that although many of these things hadn’t actually
               happened, nonetheless in his memory they had become his own experiences. For
               example, it was the bride who had had an accident in the artificial lake, but now
               this had become an event from his past. His palm was still scarred from being
               scratched by a shard at the bottom of the lake. When he thought of this, he licked
               his palm.
                   The loudspeaker blared again.
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