Page 13 - STA Studio Sessions Playbill 031121FINAL
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WHO’S WHO

                                          changing relationship with the universe
                                          and the artist. He hopes his work can
                                          provide healing for not only his family,
                                          but anyone that sees themselves in him.
                                          Khaerisman would like to thank A nana, Da
                                          Iman, Sarah, Risvia, Rania, his parents, his
                                          wonderful sisters in law, Megan & Marium,
                                          and his nephews Alan and Luqman. There
                                          is nothing impossible when Allah is in your
                                          corner. Keep pushing for greater heights.
                                          Demand more seats in the table. And
                                          above all else honor the stories you tell
                                          like your life is on the line, especially the
                                          narratives that are not yours to tell. Move
      MUHAMMAD F. KHAERISMAN              forward with kindness for one another, and
      (Performer/Writer) is a Muslim Indonesian-  grace for yourself. Bismillah. This one is for
      American multidisciplinary artist.   Cimahi, Indonesia.
      Khaerisman began his journey in the arts
      through rap battles at the bus stops of
      Alief, in the 8th grade. His entrance into
      theatre and acting began after watching
      a production of “Kinky Boots” at the
      Hobby Center while he was a junior in
      high school. His love of performance and
      storytelling propelled him to perform on
      Broadway at the Minskoff Theatre, in a
      Tony Awards style show called the Jimmy
      Awards the summer after graduating
      high school. Khaerisman is currently
      completing his BFA in Acting from the
      University of Houston, and hopes that the
      push for accountability and mindfulness
      in academic artistic spaces will shift
      education to  nurture young artists,
      rather than break them. Khaerisman
      pulls inspiration for the creation of
      ALHAMDULILLAH from Houston based
      artists Lina Habazi, Hedaya Kelani, Tyren
      Duncan, and Cary Fagan. Khaerisman is
      interested in the intersectionality of poetry
      and movement in his work, and thanks
      R.J. Wright, Aris K. Brown, Jackson Neal,
      Ebony Stewart, and Buddy Wakefield for
      teaching him how to take up space in
      his writing. Currently Khaerisman creates
      art with FACES, a multimedia artistic
      collective focused on the development of
      storytelling through the visual and auditory
      medium. Khaerisman believes that art
      has no guarantees, it is instead an ever
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