Page 20 - Through New Eyes
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             12                     THROUGH NEW EYES

                          The Language of Visual Appearance
                 Genesis 1 is written in terms of visual appearances, not in
             terms of scientific analysis. Genesis 1 speaks of “lights” in the sky,
             not of “sun and moon.” It says that these lights function as sym-
             bols and as clocks ( 1 :14).  Ancient science was concerned with the
             proportions of earth, air, fire, and water in these heavenly bod-
             ies; modern science is interested in them as nuclear furnaces,
             sources of heat energy, and the like. Modern science is surely
             closer to the mark, and nothing in Genesis 1 contradicts its
             observations on this point, but this chapter in the Bible is con-
             cerned with a different aspect of these heavenly bodies. Simi-
             larly, while modern science separates lizards, insects, and
             rodents into three different groups, Genesis 1 lumps them
             together as “creeping things” (Genesis 1:24) — again the language
             of appearance.
                 The language of appearance accomplishes two things in
             Genesis 1. First, it gives a true description of the world as it is. It
             is not merely poetic to call the sun a “great light,” for the sun is a
             great light. Nor is it merely poetic to refer to “creeping things,”
             because the animals thus designated do, in fact, creep on the
             ground. Thus, provided we do not try to press the language of
             Genesis 1 into some scientific mold, ancient or modern, there is
             no reason not to take it literally.
                 At the same time, however, the language of visual appearance
             in Genesis 1 serves to establish a visual grid, a worldview. By
             writing in terms of visual appearance, the Bible sets up categories
             of visual imagery. Unfortunately, modern readers often have
             trouble with this. We who live in the post-Gutenberg information
             age are unfamiliar with visual imagery. We are word-oriented,
             not picture-oriented. The Bible, however, is a pre-Gutenberg in-
             formation source; while it does not contain drawings, it is full of
             important visual descriptions and imagery. This  visual imagery
             is one of the primary ways the Bible presents its worldview.
             There is nothing to indicate that Genesis 1 is nere~  symbolic. At
             the same time, however, by using the language of visual appear-
             ances, Genesis 1 sets up a worldview grid that is used later on in
             Scripture for symbolic purposes.
                 For instance, Genesis 1 sets up certain categories of animals.
             They are as follows: monsters, sea creatures, winged birds,  cat-
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