Page 189 - Aldeburgh Festival 2022 FINAL COVERAGE BOOK
P. 189

Opening up in Scotland was much more cautious, but the artists at the superlative East Neuk
               Festival, all performing this year in the big, acoustically tricky space of the Bowhouse, which
               allows distancing of the audience, could not have been stronger. It all began with a bang as
               Samson Tsoy plunged into the dissonant parody of Tchaikovsky’s First Piano Concerto to launch
               a sequence of Kurtág’s Játékok (Games). The revelation for me was Fanny Mendelssohn’s E flat
               String Quartet, which the wonderful Castalian Quartet placed after Felix’s grief-stricken Sixth; it’s
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               tough, but brilliant. The Mendelssohn sister has to be the best of all 19  century women
               composers; how shameful that her talent couldn’t thrive even more.

               At the Two Moors Festival’s first (Dartmoor) weekend, I heard for the first time the pianist George
               Xiaoyuan Fu (pictured below by Clive Barda)  in a beautifully sequenced programme of bird
               music – for me young artist of the year, though the now well-estabilished Tsoy and Kolesnikov
               brought our their third cornucopia of great chamber-musical performances at the Ragged
               School in London’s East End as soon as such things were possible. Another quirky venue
               favoured by the two pianists and partners, the Peckham Multi-Storey Car Park performance
               space managed by Bold Tendencies, took on its biggest venture yet - the two Brahms piano
               concertos magisterially handled by Tsoy with Maxim Emelyanychev conducting a full (and first
               rate) Philharmonia Orchestra. Bold Tendencies' commitment to vital community epics yielded a
               magnificent performance of Kate Whitley's eco-cantata Our Future in Your Hands including a
               lusty chorus of 97 Peckham schoolchildren - another spectacular one didn't expect to witness in
               2021.







































               As usual, it’s hard to choose from the wealth of great performances the Wigmore Hall has
               continued to support, but I was mesmerised as always by guitarist Sean Shibe in an enchanted
               May lunchtime hour and knocked sideways by the supremely cultured quick-change artistry of
               Czechia’s Smetana Piano Trio. We know from experience that this hall can exercise the finest
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