Page 781 - Liverpool Philharmonic 22-23 Season Coverage Book

The ENO is looking for a new home after Arts Council England (ACE) reduced its
general public funding to zero in November as part of plans aimed at diverting culture
money outside London.

The 92-year-old opera company will still stage performances at the London Coliseum,
its West End residence for more than half a century, but ACE has said its base must be
outside the capital if it is to receive £24m in public funding over three years from 2024.
The forced relocation triggered a backlash from cultural luminaries including Melvyn
Bragg, who decried it as “cultural vandalism”, while others described it as a “hammer
blow to the opera industry”.

Critics have questioned whether there is sufficient appetite for opera to sustain the ENO
outside London – an assumption sharply rejected by figures including the Greater
Manchester mayor, Andy Burnham, who described it as based on “residual, out-of-date
attitudes”.

The ENO has accepted its fate, albeit reluctantly, and is due to move into its new home
early next year.

The final decision will be taken by the ENO and its board but the shortlist will be put to
ACE, which is thought to favour a move to the Midlands or north of England in keeping
with the government’s broader levelling up agenda.

Murphy said Liverpool, Manchester, Birmingham, Nottingham and Bristol had been
whittled down from 14 places originally in the frame.

East Croydon had been considered but the ENO was given a “very clear steer” by ACE
that its new base should not be “within close proximity of the capital”, Murphy said.

He added that there were “pros and cons” with each of the five contenders. Liverpool
was a “really, really strong contender”, he said, describing its hosting of the Eurovision
song contest as an “amazing demonstration of how much they love culture”.

He added: “Manchester has loads to offer as well, as does Birmingham. Birmingham is
enormous, they’re really excited for us to be there – as is Nottingham, Bristol.
Extraordinary.

“The type of ENO you’d get in Manchester might be very different to the type of ENO
you’d get in Birmingham or Liverpool or Bristol or Nottingham.”

Manchester has been considered to be the frontrunner but the city is already home to
the Hallé orchestra, which plays to 120,000 people a year, and regularly hosts
performances by Opera North, which recently described itself as “Manchester’s
company”, despite being based 36 miles away in Leeds.
Liverpool, meanwhile, is home to Britain’s oldest surviving professional symphony
orchestra, the Royal Liverpool Philharmonic, which became fully professional in 1853.
An ACE spokesperson said the ENO was developing plans “based on a reimagined
artistic and business model with a primary base out of London”.

She said the potential £24m budget available between 2024 and 2026 would allow the
opera company to make a “phased transition” to this new model “and will include work
split between their new main base and London”.