Page 255 - Guildhall School Media Highlights Coverage Book - 2019-2020
P. 255

28 May 2020




               Interview
        Paapa Essiedu: 'Michaela Coel captures the


        reality of lives that I recognise'

        Claire Armitstead
        Paapa Essiedu

        Since his electrifying breakthrough as a hip-hopping Hamlet, the actor hasn’t stopped. He
        talks about overcoming challenges and his role in the provocative new BBC series from the
        creator of Chewing Gum




















         ‘You’ve got to remember at the end of the day that it’s still acting’: Paapa Essiedu. Photograph: Suki Dhanda for New
        Review

        At the moment when his best friend is being interviewed about a traumatic sexual assault, Kwame – a
        hunky young gym instructor – is rattling the cubicles of a public toilet with a stranger he has picked up on
        Grindr. Minutes later he is fielding a tentative pass from another man, who confesses: “I never really spoke
        to a brother who was…” To which Kwame replies: “Go on, you can say it. We’re in Britain. No one’s going to
        throw me off a building...”

        The line is delivered by actor Paapa Essiedu with such glowing self-confidence that it takes a few seconds
        for the layers of irony to sink in. We’re four episodes into I May Destroy You, a topical new TV series
        from Michaela Coel, the Bafta-winning creator of Channel 4’s Chewing Gum, and it is true that the dangers
        that lurk for Kwame, and his friend Arabella, are more insidious than those that are often served up by
        chroniclers of black British experience. Coel, who also co-directs and stars as Arabella, faces down the perils
        intrinsic to the lifestyle of a young, multicultural generation high on chemicals, partying and casual sex.

        For Essiedu, this means a deep dive into what masculinity means when its boundaries are broken, not by
        racist thugs or harassing police, but by demons unleashed by its own desires. “I’m into everything,” boasts
        Kwame on another casual date, minutes before he is reduced to pleading: “Not that.” The representation of
        the moment when good sex turns bad is so up-close and personal that I wonder if he had any doubts about
        taking on the role?
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