Page 502 - Guildhall Coverage Book 2020-21
P. 502

Where else have you seen Jacob

                                                 Fortune-Lloyd?



               While The Queen's Gambit is his most prominent role, Fortune-Lloyd

               has also had recurring roles on Medici, as Medici family enemy
               Francesco Salviati, and in the 2015 Golden Globe-winning BBC/PBS
               miniseries Wolf Hall. On the big screen, you may have spotted him in
               the 2017 film adaptation of Agatha Christie's Crooked House or
               in Star Wars: The Rise of Skywalker, although he unfortunately
               joined the series on the wrong side of history, as a Sith fleet officer.


               Offscreen, Fortune-Lloyd is a prolific stage actor. On top of the many
               roles he held during his time at Guildhall, he starred as Jack Worthing
               in a 2018 West End revival of The Importance of Being Earnest—for
               which he received rave reviews—and in Royal Shakespeare Company
               performances of Othello and The Merchant of Venice.


                          How did he prepare for The Queen's

                                                       Gambit?



               Fortune-Lloyd hasn't actually given any interviews about his part in
               the hit miniseries, but according to his costars, his onscreen chess
               moves were backed by actual expertise. In a recent interview in which
               Melling and Brodie-Sangster admitted that they had no idea what they
               were doing as they moved their chess pieces around in The Queen's
               Gambit, they agreed that Fortune-Lloyd was "really good" and "played
               properly."


               While his costars didn't mention whether Fortune-Lloyd arrived on
               set as a fully formed chess whiz, or if he learned to play specifically for
               the role, totally immersing himself in his roles is kind of the actor's
               M.O. In an interview on the set of Medici, for example, Fortune-Lloyd
               shared that he achieved Salviati's particularly serpentine way of
               moving and speaking by studying literal snakes—and most
               notably The Jungle Book's Kaa.
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