Page 521 - Guildhall Coverage Book 2020-21
P. 521

His insistence on putting in the work marks a reverence for character-building that Ben-
               Adir charts back to performances he saw and plays he read in his youth, ones that later
               inspired him to reconsider the stress he felt as a younger actor.


               “Jeffrey Wright is always the first person who comes to mind,” he says. “He’s one of the
               few people where, every time I watch him, there’s this truth and internal dignity.
               Everything he does is always so different and so connected; he’s someone who I’m
               always excited to find out what they’re doing next and what they’re in.” Alongside
               Wright, Ben-Adir praises Anthony Hopkins and Robin Williams, and recounts being
               reluctantly dragged by his father to see Jim Sheridan’s 2002 film “In America” only to
               have his eyes “filled with water” by the end.


               “I think all of these experiences—you don’t really know what’s going on at the time, but
               they’re all building in you. They’re building blocks to the passion,” he says. That high he
               felt watching Paddy Considine and Samantha Morton onscreen is what he hopes to
               capture in his own roles, and it’s what led him to training at the Guildhall School of
               Music & Drama at age 21.

               “I applied when I was working, and I got into a bunch of schools, so that’s really how it
               started,” he says. “One thing just led to the next, and I got into Guildhall and did three
               years training there, and then just took one step at a time.”

                                                                       Guildhall also gifted him with a
                                                                       level-headedness about what
                                                                       success can look like in this
                                                                       industry. He recalls a “big
                                                                       speech” from voice coach and
                                                                       professor Patsy Rodenburg in his
                                                                       last week there. “She said that
                                                                       the first five years of your career,
                                                                       for those of you who are lucky
                                                                       enough to have a career for the
                                                                       first five years coming out of this
                                                                       building, is just practice. She said
                                                                       [to] use them to learn, [and that]
                                                                       after 10, that’s when everything
               will really start kicking in.”


               Fast-forward to 2020: Ben-Adir has just hit his 10-year mark, and everything is indeed
               sliding into place. “When you’re starting off, you’re so eager for everything to happen
               straight away, to get these big lead parts straight away,” he posits. “It didn’t really
               happen for me like that; it’s taken a bit more time, and I feel like Malcolm came exactly
               at the right time, when I was ready.”

               Once the role was his, Ben-Adir promptly began to put in the work required to tackle the
               historic figure, refusing to let Denzel Washington’s iconic, Oscar-nominated 1992
               performance intimidate him. “There was this really awesome opportunity to play
               Malcolm in a way that I felt that we might not have seen before. Because it is just four
               men in a room speaking, so much of the arc of the movie is this huge emotional
               undercurrent that Malcolm is going through. Trying to map out that journey with Malcolm
               just required such a full and deep concentration.”
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