Page 531 - Guildhall Coverage Book 2020-21
P. 531

8 April 2021



                                         Kingsley Ben-Adir.



               Calling from his apartment in Kentish Town, 35-year-old actor Kingsley Ben-Adir
               briefly joins the Zoom call before hastily vanishing. ‘I’ll be with you in just one
               minute,’ he assures me, while I am left to gaze upon the piano in the background (he
               later tells me that ‘Chopsticks’ is the only tune he can muster). A true Brit, he returns
               to the Zoom call with a cup of tea.

               Kingsley began his acting career in the world of theatre, gaining praise for
               his   performance in Gillian Slovo’s critically acclaimed play The Riots in 2011 after
               graduating from The Guildhall School of Music and Drama in London. He has since
               appeared in seasons four and five of Peaky Blinders and more recently alongside
               Zoe Kravitz, playing her character’s love interest in High Fidelity.


               And then came his biggest part to date. Tasked with playing Malcolm X in Regina
               King’s directorial debut One Night in Miami, Kingsley explains, ‘there was so much
               work to do in 12 days. I had the whole script to learn off by heart.’ The entire film is
               set on one night: 25 February 1964, the night that Cassius Clay vanquished Sonny
               Liston for the title of boxing’s World Heavyweight Champion. Adapted from Kemp
               Powers’ play of the same name, One Night in Miami is a fictitious portrayal of four
               friends – Clay, Malcolm X, soul pioneer Sam Cooke and legendary American football
               player Jim Brown – as they celebrate the champion’s victory at the eminent Hampton
               House Motel in Miami

               ‘One of the first conversations that we had before I was cast was definitely that this is
               Malcolm X in a way that we haven’t seen him before,’ explains Kingsley. ’Regina’s
               sort of “mission statement” to all of us was that this is a love letter to the Black man
               and that was such a wonderful, guiding mantra for all of us coming in. There’s just
               something about that statement that made me go OK, cool. This is about love and
               friendship and connection and joy and seeing Black men in conversation in
               friendship in a way that’s positive. And I feel like that also sent me in the right
               direction in terms of my investigation of Malcolm. I was really sort of concentrating as
               much as I could on trying to figure out really who he was as a man outside of the
               media’s perspective, and what he was really going through at this time. He had a
               wife, he had children, you know? And I think Regina and I were both set on that. We
               connected on that idea and I think that's why she cast me.’


               Kingsley had originally been set to audition for the part of Cassius Clay but felt that
               someone younger would be better suited to fulfil the role. ‘I convinced her that I felt
               pretty fearless about attempting to show Malcolm in a way that people might not
               necessarily be used to, or accept, or want to see, because I just thought that would
               be interesting. And Dick Gregory’s article really gave me such permission.’ Kingsley
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