Page 4 - Wood Review Dec 20

FEATURE
34
Australian Wood Review
FURNITURE –
RUNNER-UP
Alexsandra Pontonio, Flank Bookshelf, Vic ash, Tasmanian blackwood.
‘The sliding dovetail bookends gesture equally to the piece’s craft and utility. Interactive and adaptable, these can be used, moved or replaced by flat blanks. A nod to the detail, the shape of the uprights are notched into the shelves following the same 8° taper. The slender internal cabinet features shop sawn Tassie blackwood veneer.’ Photos: Northside Studio
Flank is a design that elegantly combines functionality and craft to produce a piece that will stand the test of time in both aesthetics and use. By contrasting blackwood with Tasmanian oak the joinery and function has
been highlighted in a way that is both appropriate and decorative without
being overdone. Congratulations Alexsandra, a very close runner-up. – Laura McCusker
The strength of this piece is in the sophisticated play between utility and beautiful simplicity. The proportions and integrity of construction are spot on.– Bern Chandley
This piece is a fantastic example
of progressive fine woodworking, and where I think we need to be heading as a craft. It is innovative, contemporary and forward thinking, but is rooted in an understanding of the craft, an expression of skill and a joy of materiality and the handmade. – Adam Markowitz
Clockwise from left:
Simeon Dux, Art Deco Wall Unit, walnut, white oak. Photo: Northside Studio
Julian Glencross McCartney, Promontory Dresser, Vic ash, Gippsland blackwood. ‘The result of transcribing natural and manmade features, seen while hiking through the Wilsons Promontory coastal region of Victoria, into a functional furniture design for a modern living space. Fire-scorched rails and staves speak of the blackened trees scattered throughout the coastal bushland.’ Photo: @boots_n_fades
Greg Allan, Barletta Cabinet, blackwood, maple, brass mesh. ‘Somewhere to stash your special stuff.’ Photo: Northside Studio
Remy Tramoy, Becoming, American walnut, poplar. ‘Mid Century Modern with a personal touch, this piece is all about a simple yet elegant form that lets the grain speak first. The name refers to my entry into parenthood when we welcomed our twins into the world.’
Marinos Drakopoulos, MM03. ‘Inspired by traditional forms found in Windsor chairs, shaped layers of laminated timber form the backrest and incorporate carefully refined structural elements.’
Myles Gostelow, Cascading Synergy Dining Table, Huon pine and Tas blackwood dining table pair. When butted together the grain and the endgrain of the legs form a waterfall detail.
Nick Pedulla, Walnut & Brass Record Cabinet, ‘...designed to make a statement...and to be
an indulgent use of two beautifully combined materials while also achieving functional duty... One of the most difficult parts was achieving a perfect, continuous grain match on the top and across the lid.’
Colin Fardon, Wanderer. Named after
the wanderer butterfly inlayed in the last compartment, (this cabinet) features 40 hand dovetailed drawers with solid drawer bottoms, three secret compartments, 12 panels of serpentine stone, over 15 different species of timber. The cabinet took 1137 hours to complete.’ Photo: Clayton Lloyd