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Q  &  A  Gordon Perry, into allowing us an hour at the end       tech.
        of the day to play. We had a proper sound system.
                                                                  “I’m a musician, not a technician man”, Moose re-
        Paul Jackson from Bells ran our PA system (public
        address system), it was the first time we played live
        with a sound system and monitors.”                        members responding.

 with   “On stage in the gym, we played, “Johnny B Goode”,        However, they would not take no for an answer, they
                                                                  knew Moose’s talent with a guitar. His personality
        as the last song in the set. When Tony Canaday
                                                                  would ensure their music was perfect every time
 Moose Douglass  started everyone was on their feet dancing, they just   they played. Fortunately, Moose worked for a man
                                                                  who could not let him miss this opportunity and
        thought it was the best thing. Just like we were high
 By Tammy Yosich  school heroes.” Savage covered Brian Adams, Thin   ensured him that he would always have a job to re-
                                                                  turn to. With the blessing of his boss, Moose chased
        Lizzy, Ted Nugent, but also we had wrote original
        songs.”                                                   his dreams with Full Devil Jacket. Moose’s dad was
                                                                  substantially less pleased with this decision, while
        In 1982, Savage won the local Cecil’s Bandstand’s         his mother, an understanding musician, said, “Go
        “Battle of the Bands” contest. They won free music        for it. Do it! Do it!”

 Since the 1970s, guitar technician Keith “Moose” Douglass has been a musician in numerous bands. Moose is   lessons from Cecils’ Bandstand. The group would
 responsible for maintaining and setting up guitars for the group; including stringing, tuning, and adjusting elec-  travel from Brownsville to Jackson for the lessons.   They toured with big bands like Creed, Type-O
 tric guitars and acoustic guitars, tuning guitar amplifiers, and other related electronic equipment such as effect   On one Saturday as the guys were engaged in their   Negative, Fuel, and so many others. Moose met
 pedals. A guitar tech must have the skills to play the instrument and tune it correctly. Douglass learned most of   lesson, Carl Perkins dropped by.   other band crew members and tour managers. After
 his guitar tech skills by working in a range of music, sound engineering, and instrument repair jobs.   the dismantling of Full Devil Jacket, Moose, using
 Moose was heavily influenced by his mom, Susan Coppedge Joyner. His mom played nearly every day in the liv-  Moose remembers, “Carl Perkins walks in and we   the lessons he learned, went on to tour with major
 ing room, dubbed the music room, because of its dedication to musical instruments. Moose earned his nickname   were all in shock. He sat down on a stool and started   bands as their guitar tech. His finely tuned, stage
 in high school by performing what he calls, “moose calls” to his friends delight and his teachers’ displeasure.   playing guitar with Chuck McGill. Afterward they   ready guitars sparked his passion and fire. Moose
 The name has since stuck.   just sat and talked. I was too embarrassed to go over   has since perfected the guitar tech profession.
        and tell him, “Mr. Perkins I want to play guitar just
        like you.” This was a highlight of my youth even if I     ZGP: Who were some of your musical

 ZGP: How did you get into music?  “And it just came to me naturally, not that I’m an   couldn’t muster the courage to meet him.”  influences?
 “Growing up in Brownsville, Tennessee in the 70s,   amazing shredder or anything like that but growing   “I wanted to play like Thin Lizzie and not just
 my mom would play the piano in the living room.   up with her rhythm and how she would stomp and   “However, just like the Brian Adams, “Summer of   like Jail Break and some of their more popular
 It could hardly be called a living room because it   play piano. My mom was the bomb. She was unbe-  69”, after high school Savage members got either got   tunes but like Black Rose, that might not have got
 had bongos, guitar, and my mom’s favorite upright   lievable. She inspired and supported me throughout   married or moved away. Tony, quit and moved away   as much airtime but had so much melody. I was
 piano; it was the music room. I remember my mom   my life and career.”  and Ray our drummer got married. At the time, it   into a lot of funk, like Ohio Players, thanks to my
 playing the outro to Eric Clapton’s Layla.                                           seemed to be the end of my music.”  mom’s records. Oh, the Isley Brothers,  “Climbin’
 In 2015, Moose lost his mom in 2015 and wishes he                Up the Ladder,” it was such an awesome groove
 could have recorded with her. He wanted to cover   However, when Moose moved to Jackson, Tennessee   man                                             Years later I finally
 She would nail it repeatedly. Hearing her play Layla   a Chicago song, where she was on piano and he is   everything began to open up. He met more musi-  learned that riff, well decent enough to play it, ya
 with passion and precision, I got the fever for learn-  coming in with a rad riff, but they never got around   cians in a bigger city. Jackson is home to legendary   know. I was influenced by several sounds, the Dob-
 ing the piano, yet not as deeply as I had for the gui-  to it.   musicians including Carl Perkins, Denise LaSalle,   bie Brother. Man, what a big influence, I love them.
 tar. My mom was my first teacher in music and life.   Big Maybelle, and John Kilzer. Big bands such as   Steely Dan, another big influence.”
 She would teach me chords and an uncompromising   “But yeah, that is where it all started, right there   Jonathan Singleton and the Grove, Full Devil Jacket,
 pursuit of my dream. As I got older, life took over   with my mom.”  and Lanier & Company also called Jackson home.  “One of the things so influential about these guys
 and I fell out of music for a while, but her mentor-             was the production quality, that is a big thing. I real-
 ship and example remained.”   ZGP: Where did you go musically from   In the late 90s, Moose played music with Josh   ly love music that is done the simple, old school way.
 there?  Brown, Keith Foster, Jonathan Montoya, Mike              Music like Steely Dan was done on tape, so warm
 In the 80s, Moose returned to his musical roots   “In Brownsville in the 80s, it was difficult to find   Reaves, and Kevin BeBout, in several projects. Those   and rich.”
 when he heard his friends play guitar. It inspired   musicians. So, in high school, we formed the band   guys went on to form “Voodoo Hippies.” They were
 him to take it up again.   “Savage.” Our first venue was Haywood High School.   later renamed, “Full Devil Jacket” obtaining a record
 As 10th and 11th graders we talked our principal,   deal. They asked Moose to tag along as their guitar   Continued Next Page

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