Page 336 - Protec PR Book Volume 2

installed on the back of the set to hold this pipe in place. This whole process means that for every fixture, at least 4 lighting crew and 1 staging technician is needed.”
The lighting spec was outlined by the main Tomorrowland show designers in Belgium and Protec’s broad inventory had all the required fixtures. These included Robe Pointe, K10 Wash, Scenius Profile, VL3500 Wash, Stormy CC Strobe, SGM P5, and Molefay 4 light/Par 36.
“It’s important that we used fixtures as specified in their lighting rider so that all the Tomorrowland UNITE shows around the world have the same visual aesthetic. In addition, we used SGM P2 and some more Pointe to light the VIP deck, and a combination of SGM P2 and LED Parcans to add some colour and atmosphere to the catering/bar area outside,” Bates explained.
From a video standpoint, Smuts listed Protec’s Mambo 9mm LED 16x10 panel Screen - 1280x800 pixel resolution with 2x VX4S Controllers for Main/Backup and automatic failover switch - Roland V-800HD switcher to switch Resolume, Satellite Camera Feed and Playback Pro to screen.
He added, “Last year the switcher was analog way saphyr and we had 2 IMAG screens for camera feed. This year required only 1 main screen and a less complicated control.