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Indian  support,  Tibetan  delegates  signed  an  agreement  in  May  1951
               recognising PRC sovereignty but guaranteeing that the existing political and
               social system of Tibet would continue. Direct negotiations between India and
               the  PRC  commenced,  in  an  atmosphere  improved  by  India’s  mediation

               efforts in ending the Korean War (1950–1953).

                                                      th
                 Meanwhile, India was the 16  state to establish diplomatic relations with
               the  PRC,  and  did  so  on  1  April  1950.  In  April  1954,  India  and  the  PRC

               signed  an  eight-year  agreement  on  Tibet  that  set  forth  the  basis  of  their
               relationship in the form of the Five Principles of Peaceful Coexistence (or

               Panchsheel). Although critics called the Panchsheel naive, Nehru calculated
               that in the absence of either the wherewithal or a policy for defence of the
               Himalayan  region,  India’s  best  guarantee  of  security  was  to  establish  a
               psychological buffer zone in place of the lost physical buffer of Tibet. It is

               popular perception that the catchphrase of India’s diplomacy with China in
               the 1950s was Hindi-Chini bhai-bhai, which means, “Indians and Chinese are

               brothers”,  but  there  is  evidence  to  suggest  that  Nehru  did  not  trust  the
               Chinese at all. Therefore, in unison with diplomacy, Nehru sought to initiate
               a  more  direct  dialogue  between  the  people  of  China  and  India  in  various

               ways,  including  culture  and  literature.  In  1957,  the  famous  Indian  artist
               (painter) Beohar Rammanohar Sinha from Visva-Bharati Santiniketan, who
               had earlier decorated the pages of the original Constitution of India, was sent

               to  China  on  a  Government  of  India  fellowship  to  establish  a  direct  cross-
               cultural  and  inter-civilisation  bridge.  Noted  Indian  scholar  Rahul
               Sankrityayan  and  diplomat  Natwar  Singh  were  also  there,  and  Sarvapalli

               Radhakrishnan  paid  a  visit  to  the  PRC.  Between  1957  and  1959,  Beohar
               Rammanohar  Sinha  not  only  disseminated  Indian  art  in  the  PRC  but  also
               mastered Chinese painting as well as lacquer-work. He also spent time with

               great masters Qi Baishi, Li Keran, Li Kuchan, as well as some moments with
               Mao  Zedong  and  Zhou  Enlai.  Consequently,  up  until  1959,  despite  border
               skirmishes  and  discrepancies  between  Indian  and  Chinese  maps,  Chinese

               leaders amicably assured India that there was no territorial controversy on the
               border  though  there  is  some  evidence  that  India  avoided  bringing  up  the
               border issue in high-level meetings.
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