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darkness closer to the front of the train. Having nothing
            better to do than bleed, I decided to follow them.
               The second I moved from my seat, I knew I was dreaming.
            My body fell into a current of invisible movement that
            pushed me forward. As I glided, a group of strange young
            women standing on both sides of the aisle turned to look
            at me. Every one of them was raven-haired and possessed
            of the lightest blue eyes—glimmering beads of water that
            defied gravity through sheer force of beauty. The tallest of
            the group, whose height was only slightly less than my own,
            spoke to me. “Have you any idea who conducts this train?
            As many times as I’ve tried to ascertain that fact, I’ve never
            learned.” Her eyes were rainstorms. I could hear the water of
            weeping skies falling across a world of tender young leaves.
            I almost forgot to respond.
               “I have no idea,” I said, “but I’m sure they’re competent.
            Certainly, you have no cause for concern.” My  words
            seemed  lost  to  the  rain,  and  I  was  curious  if  I’d  spoken
            at all. The woman smiled at me, as if I’d given precisely
            the  answer  she  desired,  and  quickly  withdrew  behind  the
            shadows of the train. Before I could begin to contemplate
            what had happened, invisible hands pushed me onward, far
            away from the women, where I felt compelled to refocus
            my attention upon a line of wandering shadows. In service
            to  my  new  obligation,  I  observed  that  after  each  shadow
            crossed into the next car, the darkness beyond the threshold
            deepened, gaining the appearance  of a massive hole that
            extended beyond the dream of the train. I drew up behind
            the last shadow in line and waited my turn to move into the
            next world.
               The opening did not lead to some other dream, but
            into  a  supernal  synthesis  of  darkness  and  silence  which  I
            theorized to be the product of the shadows merging together.
            The  hybrid  substance  approximated  the  closest  thing  to  a
            fully realized oblivion, and all of it stitched together from
            the rootless bodies of sacrificial shades. Within that near-
            106 | Mark Anzalone
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