Page 289 - TheRedSon_PrintInterior_430pp_5.5x8.5_9-22-2019_v1
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I was fortunate, however, that my next destination was
            one of the more dream-haunted  locations  of the world,
            playing  to  the  calm  timbre  of  forfeited  confidences  in
            solidity and sanity. Willard, a place of glittering madness,
            a jewel tucked into the throat of a corpse. It would be my
            temporary reprieve, and hopefully, my redemption.
               Cutting in half my swelling disgust at my reincarnation
            was the  most  recent  entry  into  my  journal,  the  words of
            my greatest adversary—Jack Lantern. There was a guiding
            light  to  his  logic,  if  only  the  dim  foxfire  of  a  darkened
            swamp, doubtful and misleading. But at the very least, his
            paradigm was cogent and internally consistent, if ultimately
            incorrect—despite  the  alleged  scrutiny  leveled  at  my
            exposed dreams. There was value in delusion, especially if it
            should have absolutely no part in logic or material truth—a
            waking dream in many respects.
               The Soul Carver had peered too long into the eyes of the
            White Mother, convincing himself of the bottomlessness of
            her kingdom, that only masks could make the world suitable
            for living. I am not a mask, Jack—I am fire. I will set this
            corpse-world aflame upon the pyre of my art, or I will die
            trying, very likely  at the glimmering  edges of your own
            exquisite knives.


                 But  first,  there  was  the  wonderful  Mister  Hide,  that
            connoisseur of swapped skins, reflector of inner truths via
            the  display of their  more honest exteriors. Again, and to
            import  a fraction  of my criticism  of poor Jack Lantern—
            there is little use for truth in graveyards. The only truths that
            lurk  there  consist of the  certainty  of death  and the
            displacement of dream. All else, as they say, is mere window
            dressing. Even if that dressing were made from the most
            skilled fashioning of once-living tissue.
               Despite  a  certain  contempt  of  self,  I  was  grateful  for
            having dealt a decisive blow against the Mistress of Corpses,
            felling her miserable son. But there was much more work to
            292 | Mark Anzalone
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